存在即位置:"概念隐喻形式中的 "他者

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-12-20 DOI:10.5195/cinej.2023.591
Park Morgan Mok-Won
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引用次数: 0

摘要

安全、稳定和合适的居住地是人类的基本需求。然而,对于很多人来说,拥有这样的住所,尤其是在城市中,仍然是可望而不可及的。本研究旨在探讨韩国当代电影中如何隐喻 "他人",这些电影描绘了城市居民在城市中努力寻找居所并为生存而战的故事。通过对概念隐喻的多模态分析,我们了解到 "存在即是位置 "这一隐喻如何强调物理空间对人的存在的重要性。此外,视觉表现中的垂直运动,如 "好是向上的,坏是向下的",与岌岌可危的生存、社会等级和他者性等更抽象的含义相联系。
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Existence is a Location: “The Others” in the Form of Conceptual Metaphor
The need for a safe, stable, and suitable place of residence is fundamental for human beings. Nevertheless, having such a place, particularly in a city, remains unattainable for too many people. This study aims to examine how “the others” are metaphorically represented in contemporary South Korean films that portray city dwellers struggling to find a place of residence in urban areas and fighting for their existence. The multimodal analysis of conceptual metaphors enabled us to comprehend how the metaphor of EXISTENCE IS A LOCATION emphasized the significance of physical space for one’s being. Furthermore, the vertical movements in visual representations, such as GOOD IS UP, BAD IS DOWN, connect to more abstract meanings of precarious existence, social hierarchy, and otherness.
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
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