{"title":"托马斯-欧文的评论2021.倾听中国：声音与中西方接触，1770-1839》（芝加哥：芝加哥大学出版社）","authors":"Samuel Cheney","doi":"10.30819/aemr.12-10","DOIUrl":null,"url":null,"abstract":"\n This essay reviews Thomas Irvine’s 2021 book “Listening to China: Sound and the Sino-Western Encounter, 1770–1839”. The author highlights the central tenets of Irvine’s work (published by the University of Chicago Press), and considers its implications for histories of Sino-Western cultural exchange more broadly.\n\n","PeriodicalId":36147,"journal":{"name":"Asian-European Music Research Journal","volume":"15 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Review of Thomas Irvine. 2021. Listening to China: Sound and the Sino-Western Encounter, 1770–1839 (Chicago: University of Chicago Press)\",\"authors\":\"Samuel Cheney\",\"doi\":\"10.30819/aemr.12-10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay reviews Thomas Irvine’s 2021 book “Listening to China: Sound and the Sino-Western Encounter, 1770–1839”. The author highlights the central tenets of Irvine’s work (published by the University of Chicago Press), and considers its implications for histories of Sino-Western cultural exchange more broadly.\\n\\n\",\"PeriodicalId\":36147,\"journal\":{\"name\":\"Asian-European Music Research Journal\",\"volume\":\"15 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian-European Music Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30819/aemr.12-10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian-European Music Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30819/aemr.12-10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Review of Thomas Irvine. 2021. Listening to China: Sound and the Sino-Western Encounter, 1770–1839 (Chicago: University of Chicago Press)
This essay reviews Thomas Irvine’s 2021 book “Listening to China: Sound and the Sino-Western Encounter, 1770–1839”. The author highlights the central tenets of Irvine’s work (published by the University of Chicago Press), and considers its implications for histories of Sino-Western cultural exchange more broadly.
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