大城市中的电视剧:1980 年代至 2020 年代电视小说的地理诗学

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Nauchnyi Dialog Pub Date : 2023-12-23 DOI:10.24224/2227-1295-2023-12-10-166-191
L. Kislova, T. N. Ratsen, S. O. Dracheva
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引用次数: 0

摘要

文章探讨了地名图像对外国和俄罗斯流行电视剧美学的影响。电视剧是一种特殊的艺术模式,它的转变和运作是电视对观众产生重大影响的结果。它的独特性在于,一方面作为当代大众文化的重要体裁,另一方面作为多媒体文本,电视剧允许视觉内容取代语言内容,并在观众心中构建某种现实。文章作者在地舆学方法的框架内,研究了不同年代电视项目中的城市形象,分析了城市标志和符号的功能,并确定了用于塑造人物形象和表现民族文化空间的各种艺术手法。文章特别关注了城市在电视节目中作为情节发展的背景和工具的作用。研究的成果是确定了 20 世纪 80 年代至 2020 年代电视项目中城市形象的动态,这使我们能够将《电视连续剧》的特点描述为不仅是一种娱乐来源,而且也是一种在当代文化中占据主导地位的社会和国家项目。
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TV Series in a Big City: Geo-Poetics of Telenovelas 1980s—2020s
The article explores the influence of toponymic images on the aesthetics of popular foreign and Russian television Series. The television series is a specific artistic model, the transformation and functioning of which is the result of significant television influence on the audience. Its uniqueness lies in the fact that, being a key genre of contemporary mass culture on one hand, and a multimedia text on the other, the series allows visual content to displace verbal content and constructs a certain reality in the minds of viewers. Within the framework of the geopoetic approach, the authors of the article examine the image of the city in television projects from different years, analyze the functions of urban signs and symbols, and identify various artistic techniques used to characterize characters and represent national-cultural spaces. Special attention is given to the role of the city as a setting and a tool for plot development in TV shows. The result of the study is the identification of the dynamics of the city image in television projects from the 1980s to the 2020s, which allows us to characterize television Series not only as a source of entertainment, but also as a social and national project that claims one of the dominant positions in contemporary culture.
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来源期刊
Nauchnyi Dialog
Nauchnyi Dialog HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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0.00%
发文量
215
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