小丑电影、工人阶级和后真相

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-12-20 DOI:10.5195/cinej.2023.587
Yildirim Uysal
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引用次数: 0

摘要

电影《小丑》(2019)引起了全球观众的极大兴趣,并以超过10亿美元的票房获得了荣誉。事实上,《小丑》对社会有着阶级性和政治性的反思。本文认为,电影《小丑》是一部反对世界各地优先推行民粹主义、独裁主义和无情资本主义政策的政治势力的宣言书。我们的研究旨在分析《小丑》是如何表现和审视阶级运动的。小丑》的反体制和反资本主义立场需要社会学分析;这一分析将研究《小丑》如何反映人们的潜意识并激发阶级反抗。另一个要点是用描述性分析来分析电影场景,这将有助于我们理解社会运动的转变。剧本中如何对人物进行语义分配是强调影片隐含讲述内容的另一个要求。重要的是,既要了解工人阶级在后现代时期的生产关系中尚未定位的混乱局面,又要看到影片中工人阶级为何不应倾向于右翼民粹主义政治的秘诀。理解这两点将是我们研究的最重要成果和成就。
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Joker: Film, Working Class and Post-Truth
The film Joker (2019) garnered huge interest from audiences worldwide and honored at the box office with an amount exceeding one billion dollars. Indeed, Joker has a class and political reflection on society. This article claims that the film Joker is a manifesto against the political forces that prioritize populist, authoritarian, and ruthless capitalist policies all over the world. The aim of our study is to analyze how the class movement is shown and examined in Joker. Joker's anti-system and anti-capitalist stance needs a sociological analysis; this analysis examines how Joker reflects people's subconscious and inspires class resistance. Another important point is to analyze the movie scenes with a descriptive analysis that will help us understand the transformation of the social movement. How the characters are assigned semiotically in the script is another requirement in terms of emphasizing what the film tells implicitly. It is important both to understand the chaos of the working class, which has not yet positioned itself in the production relations of the postmodern period after, and to see the film's recipe for why the working class should not incline towards right-wing populist politics. Understanding these two points will be the most important result and achievement of our study.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
12 weeks
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