音乐语言的语义方面

Olena Vereshchahina-Biliavska, Irina Mazur, Olesia Cherkashyna, Olena Burska, Tetiana Hrinchenko
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引用次数: 0

摘要

音乐是一种多层面的现象:它肩负着审美教育和启蒙的使命,发挥着治疗功能,不仅是信息的来源,也是使人类意识充满欢乐感、戏剧性和崇高精神起点的主题。上述一切都归功于构成音乐艺术全貌的诸多要素。其中包括音调和节奏、速度和力度、音色和质地,以及更多的组成部分:体裁和形式。其中的每一个要素都代表着某一类别,而这一类别又承载着属于它的语义负荷或语义方面。音乐有着几百年的历史,因此其组成部分也经历了相当大的演变。本研究的目的在于展示音乐语言的语义方面,将其作为一个完整的系统,不断动态地发展、更新和复杂化。声音创作的历史是特定时代固有的写作风格和技巧、形象和主题的生动写照。上述情况与语义方面的深刻演变密不可分,这些语义方面传达了所有主要音乐类别的内容和重要性。无论在哪个时期,它们都代表着一个完整的元素体系,本文将讨论其转变过程。界定与音乐相关的 "进化 "的界限,揭示其在各个层面的作用(音乐思想的进化、民族风格的进化、艺术领域的进化、个人作曲风格的进化),发展音乐现象运作领域的进化理论--这些问题和其他问题是现代科学音乐学和艺术批评的优先事项。本文认识到所提出问题的复杂性和全局性--其基础是在进化论方面对音乐现象的思考--因此包含了解决这一问题的可能方法之一,涉及 20 世纪创立的 "系统的一般理论"。因此,本出版物具有现实意义。它汇集了研究音乐语言语义学问题的研究人员在教育学、量子物理学、医学、社会科学等学科背景下发表的最重要论文。该研究对所研究主题的资料进行了搜索和系统化,并对音乐艺术的语义分析进行了全景展示。作者还分享了对上述现象进行分析的前景。这项研究的必要性是由该主题的本质决定的,因为它在不断变化,不断丰富新的特质,积极回应实时发生的事情。
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Semantic aspects of musical language
Music is a multifaceted phenomenon: it carries the mission of aesthetic education and enlightenment, performs therapeutic functions and is not only a source of information, but also the subject of filling human consciousness with a sense of joy, drama, and a high spiritual beginning. All the above is provided due to the many components that constitute the whole picture of musical art. These include intonation and rhythm, tempo and dynamics, timbre and texture, and more voluminous components: genre and form. Each of its elements represents a certain category, which, in turn, carries a semantic load or semantic aspect belonging to it. Having a centuries-old history of existence, music and, accordingly, its components have undergone considerable evolution. The purpose of the study is to show the semantic aspects of musical language as an integral system in their continuous dynamics of development, updating, and complication of content. The history of sound creativity is a vivid picture of styles and techniques of writing, images, and themes inherent in a particular era. The above is inextricably linked with the deep evolution of semantic aspects that convey the content and importance of all the leading categories of music. They represent, regardless of the period, an integral system of elements, the transformation of which is discussed in this article. The definition of the boundaries of "evolution" in relation to music, the disclosure of its action at various levels (the evolution of musical thinking, the evolution of national style, artistic area, the evolution of individual compositional style), the development of the theory of evolution in the field of functioning of musical phenomena – these and other problems are priorities for modern scientific musicology and art criticism. Realising the complexity and globality of the problem posed, the basis of which is the consideration of musical phenomena in the aspect of the theory of evolution, this article includes one of the possible approaches to solving this issue, involving the "general theory of systems" created in the 20th century. For that reason, this publication is relevant. It combines the most important theses of researchers investigating the problem of the semantics of the musical language in the context of such disciplines as pedagogy, quantum physics, medicine, social science. The study searches for the materials on the studied subject, their systematisation, and provides a panoramic display of the analysis of the semantic aspects of musical art. The author also shares the prospects of analysis of the mentioned phenomenon. The need for this research is conditioned by the essence of the subject, since it constantly changes, gets enriched with new qualities, actively responding to what is happening in real-time.
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