Khrystyna Berehovska, Olga Tarasenko, Khrystyna Nahorniak, Anastasiia Pavlyshyn, Karina D. Davydova
{"title":"美籍乌克兰艺术家 S. 霍尔丁斯基纪念碑艺术的影响问题","authors":"Khrystyna Berehovska, Olga Tarasenko, Khrystyna Nahorniak, Anastasiia Pavlyshyn, Karina D. Davydova","doi":"10.53681/c1514225187514391s.32.237","DOIUrl":null,"url":null,"abstract":"In today’s conditions, namely, the establishment and development of the Ukrainian nation, its cultural and historical origins are of great significance. Ukraine is beginning to restore its position in the international arena, and therefore the issue of its cultural and artistic development in world art history, and the spread of famous artists and painters is relevant. One of them is Sviatoslav Hordynskyi, whose work was devoted to the research of the stages of development of the Ukrainian diaspora in Western Europe and the United States. Thus, the purpose of the work was to express the role of the work of the Ukrainian-American artist S. Hordynskyi in the process of developing monumental art. The research used the methods of analysis, synthesis, comparison, deduction, historical, and generalisation. As a result, it was established that the spread of Ukrainian art history in the modern world is influenced by several factors. They are conditioned upon drastic socio-economic and political changes in the international arena. Accordingly, the Ukrainian nation, its art and culture are beginning their revival and general recognition in world art history. The research has established that S. Hordynskyi mostly used approaches that combined both Byzantine and Renaissance traditions, which is a distinctive feature in his monumental works. As a result, it has been proved that S. Hordynskyi managed to develop his specific performance style, which distinguished his vision of the holy face. Considering this, the research has demonstrated that one of the main approaches used by the art critic in the course of writing his works was the conceptual ideas of “Boichukism”. The practical value of the results obtained in this work is that they can be used to disseminate the works and ideas of S. Hordynskyi among contemporary Ukrainian painters and foreign ones.","PeriodicalId":394078,"journal":{"name":"Convergences - Journal of Research and Arts Education","volume":"59 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The problem of influences on the monumental art of the Ukrainian-American artist S. Hordynskyi\",\"authors\":\"Khrystyna Berehovska, Olga Tarasenko, Khrystyna Nahorniak, Anastasiia Pavlyshyn, Karina D. Davydova\",\"doi\":\"10.53681/c1514225187514391s.32.237\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In today’s conditions, namely, the establishment and development of the Ukrainian nation, its cultural and historical origins are of great significance. Ukraine is beginning to restore its position in the international arena, and therefore the issue of its cultural and artistic development in world art history, and the spread of famous artists and painters is relevant. One of them is Sviatoslav Hordynskyi, whose work was devoted to the research of the stages of development of the Ukrainian diaspora in Western Europe and the United States. Thus, the purpose of the work was to express the role of the work of the Ukrainian-American artist S. Hordynskyi in the process of developing monumental art. The research used the methods of analysis, synthesis, comparison, deduction, historical, and generalisation. As a result, it was established that the spread of Ukrainian art history in the modern world is influenced by several factors. They are conditioned upon drastic socio-economic and political changes in the international arena. Accordingly, the Ukrainian nation, its art and culture are beginning their revival and general recognition in world art history. The research has established that S. Hordynskyi mostly used approaches that combined both Byzantine and Renaissance traditions, which is a distinctive feature in his monumental works. As a result, it has been proved that S. Hordynskyi managed to develop his specific performance style, which distinguished his vision of the holy face. Considering this, the research has demonstrated that one of the main approaches used by the art critic in the course of writing his works was the conceptual ideas of “Boichukism”. The practical value of the results obtained in this work is that they can be used to disseminate the works and ideas of S. Hordynskyi among contemporary Ukrainian painters and foreign ones.\",\"PeriodicalId\":394078,\"journal\":{\"name\":\"Convergences - Journal of Research and Arts Education\",\"volume\":\"59 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convergences - Journal of Research and Arts Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53681/c1514225187514391s.32.237\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convergences - Journal of Research and Arts Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53681/c1514225187514391s.32.237","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在今天的条件下,即乌克兰民族的建立和发展,其文化和历史渊源具有重要意义。乌克兰正开始恢复其在国际舞台上的地位,因此,乌克兰在世界艺术史上的文化和艺术发展问题以及著名艺术家和画家的传播具有重要意义。斯维亚托斯拉夫-霍尔丁斯基(Sviatoslav Hordynskyi)就是其中之一,他的作品致力于研究散居在西欧和美国的乌克兰人的发展阶段。因此,作品的目的是表达乌克兰裔美国艺术家 S. Hordynskyi 的作品在不朽艺术发展过程中的作用。研究采用了分析、综合、比较、演绎、历史和概括等方法。研究结果表明,乌克兰艺术史在现代世界的传播受到多种因素的影响。这些因素受制于国际舞台上剧烈的社会经济和政治变革。因此,乌克兰民族及其艺术和文化正在开始复兴,并在世界艺术史上得到普遍认可。研究表明,S. Hordynskyi 大多采用拜占庭和文艺复兴传统相结合的方法,这是他不朽作品的一个显著特点。因此,研究证明,S. Hordynskyi 成功地形成了自己独特的表演风格,这使他的圣颜观与众不同。考虑到这一点,研究表明,这位艺术评论家在创作过程中使用的主要方法之一是 "波伊丘克主义 "的概念思想。这项工作所获成果的实用价值在于,它们可用于在乌克兰当代画家和外国画家中传播 S. 霍尔丁斯基的作品和思想。
The problem of influences on the monumental art of the Ukrainian-American artist S. Hordynskyi
In today’s conditions, namely, the establishment and development of the Ukrainian nation, its cultural and historical origins are of great significance. Ukraine is beginning to restore its position in the international arena, and therefore the issue of its cultural and artistic development in world art history, and the spread of famous artists and painters is relevant. One of them is Sviatoslav Hordynskyi, whose work was devoted to the research of the stages of development of the Ukrainian diaspora in Western Europe and the United States. Thus, the purpose of the work was to express the role of the work of the Ukrainian-American artist S. Hordynskyi in the process of developing monumental art. The research used the methods of analysis, synthesis, comparison, deduction, historical, and generalisation. As a result, it was established that the spread of Ukrainian art history in the modern world is influenced by several factors. They are conditioned upon drastic socio-economic and political changes in the international arena. Accordingly, the Ukrainian nation, its art and culture are beginning their revival and general recognition in world art history. The research has established that S. Hordynskyi mostly used approaches that combined both Byzantine and Renaissance traditions, which is a distinctive feature in his monumental works. As a result, it has been proved that S. Hordynskyi managed to develop his specific performance style, which distinguished his vision of the holy face. Considering this, the research has demonstrated that one of the main approaches used by the art critic in the course of writing his works was the conceptual ideas of “Boichukism”. The practical value of the results obtained in this work is that they can be used to disseminate the works and ideas of S. Hordynskyi among contemporary Ukrainian painters and foreign ones.