{"title":"探索电影《一个叫奥托的男人》中的马克西姆蔑视行为:实用主义研究","authors":"Ni Putu Adelia Wulantari, Putu Devi Maharani","doi":"10.32505/jl3t.v9i2.7045","DOIUrl":null,"url":null,"abstract":"The term flouting maxim refers to a situation in which a speaker deliberately fails to uphold one of Grice’s conversational maxims, called the Grice a maxim: quantity, quality, relation, and manner. In the movie A Man Called Otto, there were several times when the cast committed violations of the maxim. Due to the discovery of these problems, the primary aims of this study are to ascertain the various categories of maxims that are flouted within the movie “A Man Called Otto,” and to provide an explanation of the situational context underlying the character’s dialogues that involve the flouting of maxims. The data were analyzed by the theory proposed by Cutting, (2002) as the leading theory to find out the types of flouting maxims, and the theory context of the situation offered by Halliday, M. A. K., & Hasan, (1989) was used. In this study, the method utilized for analyzing the data was a descriptive qualitative, while observing and note-taking techniques were used in collecting the data. The results of this study indicate that the characters in the movie “A Man Called Otto” flouted the conversational maxims. The maxim of relation was found to be the most frequently flouted, followed by the maxim of quantity, the maxim of quality, and lastly, the maxim of manner.","PeriodicalId":319735,"journal":{"name":"JL3T (Journal of Linguistics, Literature and Language Teaching)","volume":"19 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploring Maxim Flouting in “A Man Called Otto” Movie: A Pragmatic Study\",\"authors\":\"Ni Putu Adelia Wulantari, Putu Devi Maharani\",\"doi\":\"10.32505/jl3t.v9i2.7045\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The term flouting maxim refers to a situation in which a speaker deliberately fails to uphold one of Grice’s conversational maxims, called the Grice a maxim: quantity, quality, relation, and manner. In the movie A Man Called Otto, there were several times when the cast committed violations of the maxim. Due to the discovery of these problems, the primary aims of this study are to ascertain the various categories of maxims that are flouted within the movie “A Man Called Otto,” and to provide an explanation of the situational context underlying the character’s dialogues that involve the flouting of maxims. The data were analyzed by the theory proposed by Cutting, (2002) as the leading theory to find out the types of flouting maxims, and the theory context of the situation offered by Halliday, M. A. K., & Hasan, (1989) was used. In this study, the method utilized for analyzing the data was a descriptive qualitative, while observing and note-taking techniques were used in collecting the data. The results of this study indicate that the characters in the movie “A Man Called Otto” flouted the conversational maxims. The maxim of relation was found to be the most frequently flouted, followed by the maxim of quantity, the maxim of quality, and lastly, the maxim of manner.\",\"PeriodicalId\":319735,\"journal\":{\"name\":\"JL3T (Journal of Linguistics, Literature and Language Teaching)\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JL3T (Journal of Linguistics, Literature and Language Teaching)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32505/jl3t.v9i2.7045\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JL3T (Journal of Linguistics, Literature and Language Teaching)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32505/jl3t.v9i2.7045","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
所谓蔑视格言,是指说话者故意不遵守格莱斯会话格言,即格莱斯格言:数量、质量、关系和方式。在电影《一个叫奥托的男人》中,演员们曾多次违反格言。由于发现了这些问题,本研究的主要目的是确定电影《一个叫奥托的男人》中被蔑视的格言的各种类别,并对人物对话中涉及蔑视格言的情景背景进行解释。数据分析以 Cutting(2002 年)提出的理论为主导理论,以找出蔑视格言的类型,并使用 Halliday, M. A. K., & Hasan(1989 年)提供的情境理论背景。本研究采用的数据分析方法是描述性定性分析,在收集数据时使用了观察和笔记技术。研究结果表明,电影《一个叫奥托的男人》中的人物蔑视会话格言。最常被蔑视的是关系格言,其次是数量格言、质量格言,最后是方式格言。
Exploring Maxim Flouting in “A Man Called Otto” Movie: A Pragmatic Study
The term flouting maxim refers to a situation in which a speaker deliberately fails to uphold one of Grice’s conversational maxims, called the Grice a maxim: quantity, quality, relation, and manner. In the movie A Man Called Otto, there were several times when the cast committed violations of the maxim. Due to the discovery of these problems, the primary aims of this study are to ascertain the various categories of maxims that are flouted within the movie “A Man Called Otto,” and to provide an explanation of the situational context underlying the character’s dialogues that involve the flouting of maxims. The data were analyzed by the theory proposed by Cutting, (2002) as the leading theory to find out the types of flouting maxims, and the theory context of the situation offered by Halliday, M. A. K., & Hasan, (1989) was used. In this study, the method utilized for analyzing the data was a descriptive qualitative, while observing and note-taking techniques were used in collecting the data. The results of this study indicate that the characters in the movie “A Man Called Otto” flouted the conversational maxims. The maxim of relation was found to be the most frequently flouted, followed by the maxim of quantity, the maxim of quality, and lastly, the maxim of manner.