关于 A.N.奥斯特洛夫斯基喜剧中的非随机偶然性 "真相是好的,但快乐更好"

N. V. Kapustin
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摘要

奥斯特洛夫斯基的戏剧表现手法以其外在的简洁性掩盖了不同解读的可能性。在这种情况下,我们指的不是自由解读(这是许多现代导演的特色),而是那些能够发现潜在意义的解读,这些意义是作者对世界和人的看法的特点。喜剧《真善美》(1876 年)就是其中之一。文章的中心是这部喜剧的快乐结局,它表达了奥斯特洛夫斯基世界观的基础,即他对生活的信任。结局的基础是案件。它与贯穿整部喜剧的苹果主题密切相关,剧作结构中最重要的对比是一个适婚女孩(波吕克塞娜就是这样的女孩)与一个多汁、成熟的苹果的对比。苹果形象的语义起源通常与童话有关,但与谚语 "苹果树不是一年四季都开花 "相提并论则更为准确。其本质是对自然生命原则的确认,正如奥斯特洛夫斯基所说的那样。同时,自然原则与天意原则密不可分。综上所述,我们可以说,喜剧的意外结局并非偶然。它是在自然和天意原则指导下人类愿望的结果。
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ABOUT NON-RANDOM CHANCE IN THE COMEDY OF A.N. OSTROVSKY ‟TRUTH IS GOOD, BUT HAPPINESS IS BETTER”
With external simplicity Ostrovsky’s dramaturgy conceals the possibility of different interpretations. In this case we mean not free readings (which is especially characteristic of many modern directors), but those that are able to discover potential meanings that characterize the author’s vision of the world and man. One of these works is the comedy ‟Truth is good, but happiness is better” (1876). In the center of the article is a happy denouement of this comedy, which is an expression of the foundations of Ostrovsky’s worldview, his trust in life. The basis of the denouement is the case. It is closely correlated with the motif of apples that runs throughout the comedy and the most important comparison in the structure of the play is the one of a marriageable girl, who Polyxena is, with a juicy, ripe apple. The origins of the semantics of the apple image are usually associated with fairy tales, but the parallel with the proverb ‟The apple tree does not bloom all year round” is more precise. Its essence is to confirm natural life principles, as in Ostrovsky. At the same time, the natural principle is inseparably connected with the providential principle. All this allows us to say that the accidental denouement of the comedy is not accidental. It is the result of human aspirations, guided by natural and providential principles.
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