看不见的声音：迈向盲人未来的一步｜（学术普及版）

IF 0.4 4区艺术学 0 ART LEONARDO Pub Date : 2024-01-24 DOI:10.1162/leon_a_02498

Andy Slater, Elizabeth McLain

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引用次数: 0

摘要

伊丽莎白-麦克莱恩（Elizabeth McLain）就 "看不见的声音"（2023 年）采访了 CripTech 孵化器艺术家安迪-斯莱特（Andy Slater），这是他为 E.A.A.T.：艺术、无障碍和技术实验所创作的作品。斯莱特讨论了作为艺术实践的无障碍问题、盲人被排斥在增强现实和扩展现实之外的问题，以及实验艺术促进无障碍亲密关系的能力。在开发《看不见的声音》时，斯莱特经历了无障碍和技术方面的失败。超常的聆听--斯莱特创作实践的关键--使他得以转向，继续为无障碍扩展现实（XR）技术而奋斗。在这一过程中，他通过在公共场所制造噪音和倾听怪异的声音，为盲人的美好未来提出了理由。

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Unseen Sound: One Step into the Blind Future| (Academic Access Version)

Elizabeth McLain interviews CripTech incubator artist Andy Slater about Unseen Sound (2023), his work for E.A.A.T.: Experiments in Art, Access and Technology. Slater discusses accessibility as artistic practice, the exclusion of blind folks from augmented and extended reality, and experimental art’s capacity for fostering access intimacy. While developing Unseen Sound, Slater experienced failures in access and technology. Hyperactive listening—the key to Slater’s creative practice— enabled him to pivot and continue the fight for accessible extended reality (XR) technology. In the process, he makes the case for a brilliant blind future by making noise in public spaces and leaning into the weirdness.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.