凝视后方：通过 Eco-Crip 破解跨部门压迫：赛博坦未来

IF 0.4 4区艺术学 0 ART LEONARDO Pub Date : 2024-01-24 DOI:10.1162/leon_a_02501

Aminder Virdee

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引用次数: 0

摘要

作者讨论了他们的跨媒体艺术装置 "Eco-Crip：Cybotanical Futures (2021)，作为一个批判性地探索和重新认识残疾双性恋、变性人和两性人所面临的交叉压迫的网站，其中心是他们自身的身份和复杂的生活经历。通过重新认识世界的视角，该艺术作品利用自我民族志、残疾公正和批判理论来对抗和重新认识终生的系统性压迫和医疗监控，将计算艺术和数字绘画结合起来，将医学量化的生物成像和南亚植物档案重构为另一种 "赛博坦 "未来。作者将这一作品追溯到他们早期的作品《留着这张传单。你可能需要再读一遍"（2014 年），这是他们 criptech 之旅的开创性作品。生态携程：Cybotanical Futures》秉承 DIY 的精神，对档案和技术进行黑客化和去殖民化，在美与痛交汇的地方探索多层面的意义创造--绘制出 crip 技术科学艺术的新疆域，挑战各种权力系统及其相关的凝视。

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Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures

The author discusses their transmedia art installation, Eco-Crip: Cybotanical Futures (2021), as a site that critically explores and re-worlds the intersectional oppressions faced by disabled BIPOC individuals—centering on their own identity and complex lived experiences. Through a re-worlding lens, the artwork harnesses autoethnography, disability justice, and critical theory to confront and reclaim lifelong systemic oppression and medical surveillance, integrating computational art and digital painting to reconstruct medically quantified bioimaging and South Asian botanical archives into alternative “Cybotanical” futures. The author traces this work back to their earlier piece, ‘Keep This Leaflet. You May Need to Read It Again’ (2014), a seminal creation in their criptech journey. Eco-Crip: Cybotanical Futures embraces a DIY ethos to hack and decolonize archives and technologies, navigating multifaceted meaning-making where beauty and pain converge—mapping new frontiers of crip technoscience art that challenges various systems of power and their associated gazes.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.