{"title":"马可-米科内《三部曲》中的移民身份及其话语表达","authors":"W. Wołowski, Renata Jakubczuk","doi":"10.14746/strop.2024.51.1.6","DOIUrl":null,"url":null,"abstract":"This article – focused on three plays that make up Marco Micone’s dramatic trilogy (Gens du silence, Addolorata, Déjà l’agonie) – consists of two parts. First, it outlines the historical-political environment of Quebec in the context of immigration and identity issues. Then, the article analyzes some compositional and linguistic aspects – micro- and macrostructural – linked to the migrant identity of the protagonists (monology, adialogism, plurilingualism, metalinguism).","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Identité migrante et ses manifestations discursives dans Trilogia de Marco Micone\",\"authors\":\"W. Wołowski, Renata Jakubczuk\",\"doi\":\"10.14746/strop.2024.51.1.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article – focused on three plays that make up Marco Micone’s dramatic trilogy (Gens du silence, Addolorata, Déjà l’agonie) – consists of two parts. First, it outlines the historical-political environment of Quebec in the context of immigration and identity issues. Then, the article analyzes some compositional and linguistic aspects – micro- and macrostructural – linked to the migrant identity of the protagonists (monology, adialogism, plurilingualism, metalinguism).\",\"PeriodicalId\":35131,\"journal\":{\"name\":\"Studia Romanica Posnaniensia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Romanica Posnaniensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14746/strop.2024.51.1.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Romanica Posnaniensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/strop.2024.51.1.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Identité migrante et ses manifestations discursives dans Trilogia de Marco Micone
This article – focused on three plays that make up Marco Micone’s dramatic trilogy (Gens du silence, Addolorata, Déjà l’agonie) – consists of two parts. First, it outlines the historical-political environment of Quebec in the context of immigration and identity issues. Then, the article analyzes some compositional and linguistic aspects – micro- and macrostructural – linked to the migrant identity of the protagonists (monology, adialogism, plurilingualism, metalinguism).
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