"这是一部政治剧":让《科利奥兰纳斯》在当代伊朗具有现实意义

IF 0.3 3区 艺术学 0 ASIAN STUDIES ASIAN THEATRE JOURNAL Pub Date : 2024-05-15 DOI:10.1353/atj.2024.a927718
Ema Vyroubalová, Shauna O'Brien, Mohammadreza Hassanzadeh Javanian
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引用次数: 0

摘要

摘要:本文追溯了莎士比亚的《科利奥兰纳斯》在伊朗的演出历史,重点关注由穆斯塔法-库什基(Mostafa Koushki,生于 1984 年)导演的该剧的最新作品,该作品于 2019 年至 2020 年期间在伊朗德黑兰和印度喀拉拉邦上演。根据作者之一于 2020 年 7 月在德黑兰对库什基进行的一次原始采访,文章讨论了该剧如何反映和应对该国动荡的政治气候。文章分析了各种元素,包括极简主义的布景和服装以及不分性别的选角,是如何在不违反伊朗审查制度对戏剧表演规定的前提下,共同传达该剧对伊斯兰共和国现状的批判。
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"This Is a Political Play": Making Coriolanus Relevant in Contemporary Iran

Abstract:

This article traces the performance history of Shakespeare’s Coriolanus in Iran, focusing on the most recent production of the play directed by Mostafa Koushki (b. 1984), performed between 2019 and 2020 in Tehran, Iran, and Kerala, India. Based on an original in-person interview with Koushki conducted by one of the authors in Tehran in July 2020, the article discusses how the production reflected and responded to the country’s volatile political climate. The analysis considers how various elements, including the minimalist set and costumes as well as gender-neutral casting, work together to communicate the production’s criticism of the current state of affairs in the Islamic Republic while staying within the boundaries imposed on theatre performances by the Iranian censorship regime.

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来源期刊
CiteScore
0.40
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0.00%
发文量
17
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