基于洛浦旅游纪念品标识的艾德莱斯绸设计

Manus Kaewbucha, Han Mao
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摘要

背景与目的:在非物质文化遗产与旅游业结合发展的国际背景下,本研究主要关注艾德莱斯绸旅游纪念品的营销。艾德莱斯绸技艺是中国回族非物质文化遗产技艺,是古丝绸之路上的一种传统纺织品扎染技艺。因此,本研究的目标是加强和提高对艾德莱斯绸的认识;有效营销和推广维吾尔族艾德莱斯绸传统制作技艺;设计符合和体现洛浦独特旅游身份的旅游指南和艾德莱斯绸旅游纪念品。从而可持续地推动艾德莱斯绸传统技艺的保护和创新发展:本研究采用定性、实地调查和访谈等描述性和解释性研究方法。本研究的理论基础包括国际文化财产保护与修复研究中心(ICCROM)、澳大利亚 1999 年《布拉格宪章》以及遗产质量等。 成果:通过拓展营销渠道和优化纪念品设计等战略举措,洛浦艾德莱斯绸的遗产推广工作获得了动力。要使协调和推广工作取得成效,必须建立一个由政府机构、学术界、生产商和消费者共同参与的合作框架。通过整合数字技术和利用全媒体平台,提高了艾德莱斯绸的知名度,从而提高了人们对其保护和发展工作的认可度和参与度:结论:通过拓展营销渠道和改进纪念品设计等深思熟虑的行动,洛浦艾德莱斯绸的遗产正在得到提升。与利益攸关方合作并利用数字工具对于提高保护和发展意识并鼓励参与保护和发展工作至关重要。
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Aidelaisi Silk Designing Based Luopu Tourism Souvenir Marking
Background and Aims: In the international context of the combined development of intangible cultural heritage and tourism, the study mainly focuses on the marketing of Aidelaisi silk tourist souvenirs. Aidelaisi silk technique, an intangible cultural heritage technique of the Chinese Hui nationality, is a traditional textile binding and dyeing technique on the ancient Silk Road. Thus, the objectives of the research are to strengthen and improve the knowledge of Aidelaisi silk; to effectively market and promote traditional Uyghur Aidelaisi silk production techniques; to design tourist guides and Aidelaisi silk tourist souvenirs that are consistent with and reflect the unique tourist identity of Luopu. In this way, the protection and innovative development of traditional Aidelaisi silk skills can be promoted sustainably. Methodology: This research adopts qualitative, field surveys and interviews, and other descriptive and interpretive research methods. The theoretical basis of this research includes the International Centre for the Study of the Preservation and Restoration of Cultural Properties (ICCROM), Australia’s Prague Charter 1999, and Heritage Quality, among others.   Results: The promotion of Luopu Aidelaisi Silk's heritage gains momentum through strategic initiatives like expanding marketing channels and optimizing souvenir design. For coordination and promotion to be effective, a collaborative framework involving government agencies, academics, producers, and consumers is essential. Through the integration of digital technologies and the utilization of all-media platforms, Aidelaisi Silk's visibility has increased, leading to a greater level of recognition and increased participation in its conservation and development efforts. Conclusion: The heritage of Luopu Aidelaisi silk is being elevated through deliberate actions like expanding marketing channels and improving souvenir designs. Working together with stakeholders and making use of digital tools is essential to raising awareness and encouraging involvement in its conservation and development.
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