P. M. Khak, S. M. M. Kouhpar, Hasan Kohansal Vajargah, Qilong Cui
{"title":"六件刻有猎人图案的萨珊艺术品:国王、王储、贵族还是王位的伪装者?","authors":"P. M. Khak, S. M. M. Kouhpar, Hasan Kohansal Vajargah, Qilong Cui","doi":"10.46535/ca.31.1.14","DOIUrl":null,"url":null,"abstract":"This article focuses on six Sassanian plates that have caused contradictory opinions about those depicted on them. Considering these works and a historical context, the authors have assessed the prevailing opinions and expressed their own views and probabilities. As such, the person engraved on the four Sassanian works is probably a prince who ruled northern and northeastern regions of Iran during the 4th and early 5th centuries AD and was in contact with nomadic tribes between Iran and China.","PeriodicalId":169679,"journal":{"name":"Cercetări Arheologice","volume":"75 10","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Six Sassanian artworks engraved with hunters: king, crown prince, aristocrat or pretender to the throne?\",\"authors\":\"P. M. Khak, S. M. M. Kouhpar, Hasan Kohansal Vajargah, Qilong Cui\",\"doi\":\"10.46535/ca.31.1.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article focuses on six Sassanian plates that have caused contradictory opinions about those depicted on them. Considering these works and a historical context, the authors have assessed the prevailing opinions and expressed their own views and probabilities. As such, the person engraved on the four Sassanian works is probably a prince who ruled northern and northeastern regions of Iran during the 4th and early 5th centuries AD and was in contact with nomadic tribes between Iran and China.\",\"PeriodicalId\":169679,\"journal\":{\"name\":\"Cercetări Arheologice\",\"volume\":\"75 10\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cercetări Arheologice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46535/ca.31.1.14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cercetări Arheologice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46535/ca.31.1.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Six Sassanian artworks engraved with hunters: king, crown prince, aristocrat or pretender to the throne?
This article focuses on six Sassanian plates that have caused contradictory opinions about those depicted on them. Considering these works and a historical context, the authors have assessed the prevailing opinions and expressed their own views and probabilities. As such, the person engraved on the four Sassanian works is probably a prince who ruled northern and northeastern regions of Iran during the 4th and early 5th centuries AD and was in contact with nomadic tribes between Iran and China.