塞尔维亚东正教中的非官方妇女崇拜。斯卡达尔、比托拉和代查尼的修女斯特凡尼达的例子

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Studi Slavistici Pub Date : 2024-07-11 DOI:10.36253/studi_slavis-15140
Dominika Gapska
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引用次数: 0

摘要

本文以献给修女斯特凡妮达(Stefanida/Stevka)的赞美诗文本库为例,介绍塞尔维亚东正教会为宣传新揭示的圣人而创作的文学作品,其作用是提升在社会主义时代经历世俗化的社会的精神实质,同时重温这个社会在意识形态上具有顽强生命力的核心原则。通过使用现代语言(白话)、斯特夫卡的书信片段以及塞尔维亚文化和宗教元素等表达方式,圣诗文本的作者让当代信徒更容易理解圣诗文本。此外,赞美诗文本象征性地表现了过去和当代塞尔维亚的精神面貌,为塞尔维亚东正教会的历史凝聚力提供了更全面的叙述。
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Unofficial Cults of Women in the Serbian Orthodox Church. The Example of the Nun Stefanida of Skadar, Bitola and Dečani
The paper is focused on  a corpus of hymnographic texts dedicated to nun Stefanida/Stevka as an example of a literary work focused on the promotion of a newly revealed saint by the Serbian Orthodox Church, whose role is to elevate the spiritual essence of a society that underwent secularization during the socialist era, while revisiting the core principles of this society’s ideological resilience. By using means of expression, such as modern language (vernacular), fragments of Stevka’s letters, and Serbian cultural and religious topoi, the authors of the hymnographic texts made them more accessible to the contemporary believer. Additionally, the hymnographic texts symbolically represent the spiritual landscape of both past and contemporary Serbia, adding to a more comprehensive narrative about the historical cohesion of the Serbian Orthodox Church.
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来源期刊
Studi Slavistici
Studi Slavistici HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
57
期刊最新文献
R.G. Păun, I. Biliarsky, Du combat pour la “juste foi” au péché politique. Pour une histoire du Synodikon de l’Orthodoxie, Verlag der Österreichischen Akademie der Wissenschaften, Wien 2022 (= Schriften zur Balkanforschung, 4), pp. 415. Vatroslav Jagić (1838-1923): One Century After His Death Unofficial Cults of Women in the Serbian Orthodox Church. The Example of the Nun Stefanida of Skadar, Bitola and Dečani Italian Handbooks for Russian Language Teaching at University over the Past Thirty Years. Achieved Goals and Perspectives “The Tone or the Letter?”: Tommaso Landolfi as Translator of Russian Poetry between Renato Poggioli and Angelo Maria Ripellino
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