{"title":"流媒体女性:Hayu、Passionflix 和订阅视频点播中的性别人口统计","authors":"Alexa Scarlata, Andrew Lynch","doi":"10.1177/13548565241264004","DOIUrl":null,"url":null,"abstract":"The focus of most academic analysis of subscription video-on-demand (SVOD) services so far has been on “first tier” platforms like Netflix and Prime Video. These platforms are spending and charging significant amounts of money to adopt a generalist strategy that rhetorically disregards demographics . However, not all SVODs operate in this manner. This article will consider examples of second (subsidiary) and third (independent) tier SVODs for whom traditional demographic thinking remains fundamental to their core business model. We examine second tier service Hayu and third tier service Passionflix as female-targeted SVODs that represent a spectrum of approaches to gendered curation, from the online extension of reality programming long-linked to cable interests, to the production and promotion of softcore erotica SVOD originals. We combine analyses of catalogues, interfaces, marketing, paratexts, and original production to consider how SVODs conceptualise, address, and court female audiences in different ways.","PeriodicalId":47242,"journal":{"name":"Convergence-The International Journal of Research Into New Media Technologies","volume":"49 1","pages":""},"PeriodicalIF":2.4000,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Streaming women: Hayu, Passionflix and gendered demographics in subscription video-on-demand\",\"authors\":\"Alexa Scarlata, Andrew Lynch\",\"doi\":\"10.1177/13548565241264004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The focus of most academic analysis of subscription video-on-demand (SVOD) services so far has been on “first tier” platforms like Netflix and Prime Video. These platforms are spending and charging significant amounts of money to adopt a generalist strategy that rhetorically disregards demographics . However, not all SVODs operate in this manner. This article will consider examples of second (subsidiary) and third (independent) tier SVODs for whom traditional demographic thinking remains fundamental to their core business model. We examine second tier service Hayu and third tier service Passionflix as female-targeted SVODs that represent a spectrum of approaches to gendered curation, from the online extension of reality programming long-linked to cable interests, to the production and promotion of softcore erotica SVOD originals. We combine analyses of catalogues, interfaces, marketing, paratexts, and original production to consider how SVODs conceptualise, address, and court female audiences in different ways.\",\"PeriodicalId\":47242,\"journal\":{\"name\":\"Convergence-The International Journal of Research Into New Media Technologies\",\"volume\":\"49 1\",\"pages\":\"\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2024-07-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convergence-The International Journal of Research Into New Media Technologies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/13548565241264004\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convergence-The International Journal of Research Into New Media Technologies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/13548565241264004","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
迄今为止,学术界对订阅视频点播(SVOD)服务的分析大多集中在 Netflix 和 Prime Video 等 "一线 "平台上。这些平台花费巨资,采取不考虑人口统计的通才战略。然而,并非所有 SVOD 都以这种方式运营。本文将举例说明二线(附属)和三线(独立)SVOD,对它们来说,传统的人口统计思维仍然是其核心商业模式的基础。我们研究了第二级服务 Hayu 和第三级服务 Passionflix,它们是以女性为目标受众的 SVOD,代表了性别化策划的一系列方法,从与有线电视利益长期挂钩的真人秀节目的在线延伸,到软核色情 SVOD 原创节目的制作和推广。我们结合对目录、界面、营销、准文本和原创作品的分析,探讨 SVOD 如何以不同的方式构思、应对和吸引女性受众。
Streaming women: Hayu, Passionflix and gendered demographics in subscription video-on-demand
The focus of most academic analysis of subscription video-on-demand (SVOD) services so far has been on “first tier” platforms like Netflix and Prime Video. These platforms are spending and charging significant amounts of money to adopt a generalist strategy that rhetorically disregards demographics . However, not all SVODs operate in this manner. This article will consider examples of second (subsidiary) and third (independent) tier SVODs for whom traditional demographic thinking remains fundamental to their core business model. We examine second tier service Hayu and third tier service Passionflix as female-targeted SVODs that represent a spectrum of approaches to gendered curation, from the online extension of reality programming long-linked to cable interests, to the production and promotion of softcore erotica SVOD originals. We combine analyses of catalogues, interfaces, marketing, paratexts, and original production to consider how SVODs conceptualise, address, and court female audiences in different ways.