{"title":"后感性美学：论策展的逻辑","authors":"Hu Yue","doi":"10.1162/leon_r_02557","DOIUrl":null,"url":null,"abstract":"<span><strong>Postsensual Aesthetics: On the Logic of the Curatorial</strong> by James Voorhies. MIT Press, Cambridge, MA, U.S.A., 2023. 176 pp. Paper. ISBN: 978-0262047609.</span>","PeriodicalId":46524,"journal":{"name":"LEONARDO","volume":"19 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Postsensual Aesthetics: On the Logic of the Curatorial\",\"authors\":\"Hu Yue\",\"doi\":\"10.1162/leon_r_02557\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><strong>Postsensual Aesthetics: On the Logic of the Curatorial</strong> by James Voorhies. MIT Press, Cambridge, MA, U.S.A., 2023. 176 pp. Paper. ISBN: 978-0262047609.</span>\",\"PeriodicalId\":46524,\"journal\":{\"name\":\"LEONARDO\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_r_02557\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_r_02557","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
期刊介绍：
Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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