{"title":"在拉丁化的伪装下:出生即被调换》中拉丁美洲人的模糊性和种族认同","authors":"Laura Michelle Fernández","doi":"10.1057/s41276-024-00471-5","DOIUrl":null,"url":null,"abstract":"<p>This article examines the performance of Latinidad in the television show <i>Switched at Birth</i> (2011–2017) by excavating how Latinidad is used as a mask-like prop that characters can easily put on or discard depending on their ethno-racial and economic contexts. By connecting media, Latinx, and performance studies, this article demonstrates how popular television series exploit Latinx identities and render them commodities that are easily consumable by the presumed white viewer. Through an analysis of the show’s two teenaged “Latinx” characters—Bay Kennish and Daphne Vasquez—this study focuses on how one can presumably <i>become</i> and <i>unbecome</i> Latinx if one happens to fit a certain idealized image of Latinidad. In examining the policing and erasing of Latinx identity in the show, this article contributes to the growing field of Latinx pop culture studies by illustrating how shows like <i>Switched at Birth</i> fail to provide a sense of cultural belonging for Latinx audiences.</p>","PeriodicalId":45728,"journal":{"name":"Latino Studies","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Under the guise of Latinidad: Latinx ambiguity and ethno-racial identifications in Switched at Birth\",\"authors\":\"Laura Michelle Fernández\",\"doi\":\"10.1057/s41276-024-00471-5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article examines the performance of Latinidad in the television show <i>Switched at Birth</i> (2011–2017) by excavating how Latinidad is used as a mask-like prop that characters can easily put on or discard depending on their ethno-racial and economic contexts. By connecting media, Latinx, and performance studies, this article demonstrates how popular television series exploit Latinx identities and render them commodities that are easily consumable by the presumed white viewer. Through an analysis of the show’s two teenaged “Latinx” characters—Bay Kennish and Daphne Vasquez—this study focuses on how one can presumably <i>become</i> and <i>unbecome</i> Latinx if one happens to fit a certain idealized image of Latinidad. In examining the policing and erasing of Latinx identity in the show, this article contributes to the growing field of Latinx pop culture studies by illustrating how shows like <i>Switched at Birth</i> fail to provide a sense of cultural belonging for Latinx audiences.</p>\",\"PeriodicalId\":45728,\"journal\":{\"name\":\"Latino Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-08-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Latino Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1057/s41276-024-00471-5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Latino Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1057/s41276-024-00471-5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIOLOGY","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了电视剧《生死时速》(Switched at Birth,2011-2017 年)中拉美裔的表演,揭示了拉美裔如何被用作一种类似面具的道具,角色可以根据其民族-种族和经济背景轻松戴上或丢弃面具。通过将媒体、拉美裔和表演研究联系起来,本文展示了流行电视剧如何利用拉美裔身份,并使其成为假定的白人观众可以轻松消费的商品。通过对剧中两个青少年 "拉丁裔 "角色--贝-肯尼什(Bay Kennish)和达芙妮-瓦斯奎兹(Daphne Vasquez)--的分析,本研究重点探讨了如果一个人碰巧符合某种理想化的拉丁裔形象,他是如何成为或不成为拉丁裔的。通过研究该剧中对拉丁裔身份的监控和抹杀,本文说明了《一出生就被调包》等剧如何未能为拉丁裔观众提供文化归属感,从而为不断发展的拉丁裔流行文化研究领域做出了贡献。
Under the guise of Latinidad: Latinx ambiguity and ethno-racial identifications in Switched at Birth
This article examines the performance of Latinidad in the television show Switched at Birth (2011–2017) by excavating how Latinidad is used as a mask-like prop that characters can easily put on or discard depending on their ethno-racial and economic contexts. By connecting media, Latinx, and performance studies, this article demonstrates how popular television series exploit Latinx identities and render them commodities that are easily consumable by the presumed white viewer. Through an analysis of the show’s two teenaged “Latinx” characters—Bay Kennish and Daphne Vasquez—this study focuses on how one can presumably become and unbecome Latinx if one happens to fit a certain idealized image of Latinidad. In examining the policing and erasing of Latinx identity in the show, this article contributes to the growing field of Latinx pop culture studies by illustrating how shows like Switched at Birth fail to provide a sense of cultural belonging for Latinx audiences.
期刊介绍:
Latino Studies has established itself as the leading, international peer-reviewed journal for advancing interdisciplinary scholarship about the lived experience and struggles of Latinas and Latinos for equality, representation, and social justice. Sustaining the tradition of activist scholarship of the founders of Chicana and Chicano Studies and Puerto Rican Studies, the journal critically engages the study of the local, national, transnational, and hemispheric realities that continue to influence the Latina and Latino presence in the United States. It is committed to developing a new transnational research agenda that bridges the academic and non-academic worlds and fosters mutual learning and collaboration among all the Latino national groups.
Latino Studies provides an intellectual forum for innovative explorations and theorization. We welcome submissions of original research articles of up to 8,000 words, from scholars and practitioners in the national and international research communities.
In addition to scholarly articles, we also invite other type of submissions. Vivencias or ''reports from the field'' are short personal essays between 2000-3000 words that describe and analyze significant local issues, struggles and debates affecting the lives of Latinas/os in different regions of the country. We also welcome interviews with Latinas/os who are contributing in their local communities or nationwide (e.g. authors, artists, community activists, union leaders, etc.). Our aim in publishing the ''reports'' is to inform readers about events that are sometimes over-looked by the national and regional media.The Reflexiones Pedagógicas section includes short essays between 2000-3000 words that address issues of pedagogy and curriculum. This section contributes toward the development and institutionalization of our field in the academy. Páginas Recuperadas are short essays between 2000-3000 words that seek to recover archival documents. These essays make visible, historically significant achievements by individuals, and pivotal events in the experience of Latinas/os in the United States. El Foro is an occasional section that provides a space for essays of approximately 6000 words, addressing current events, in an effort to further engage our readers in a dialogue on the pressing issues affecting Latina/o communities today.Book and media reviews are devoted to scholarship/media on the experience of Latinas/os in the United States. Reviews are no more than 1000 words.