Patrik N Juslin, Laszlo Harmat, Gonçalo Barradas, Gustaf Omstedt, Veronica Redtzer
{"title":"心率的节奏夹带是音乐情感诱导的一种机制:需要证据的合理假设?","authors":"Patrik N Juslin, Laszlo Harmat, Gonçalo Barradas, Gustaf Omstedt, Veronica Redtzer","doi":"10.1177/03057356241302809","DOIUrl":null,"url":null,"abstract":"Several researchers have hypothesized that a musical rhythm can influence a listener’s heart rate through a process of entrainment and that this mechanism can influence the emotional feelings of the listener also. However, previous research has yielded mixed results, perhaps due to methodological problems. In this study, we independently manipulated the tempo of pieces of ambient instrumental music with a salient rhythm to influence the heart rate of 36 listeners with varying musical backgrounds, who also reported felt arousal and valence and subjective impressions of various induction mechanisms. Using a 2 × 2 × 2 factorial design, we manipulated direction (up vs. down) and magnitude (±3% vs. ±30%) of tempo change and extent of listener movement (finger tapping vs. still listening). For each trial, the tempo was manipulated in reference to the present heart rate of the individual listener. The results showed little evidence of entrainment. In general, listeners’ heart rate did not align with the target tempo (i.e., entrainment proper) nor did it change in the direction of the target tempo (i.e., entrainment tendencies). Instead, regardless of direction and size of tempo change, we observed a similar small increase in heart rate and arousal. The results are consistent with a general arousal effect of musical rhythm.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"79 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2024-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rhythmic entrainment of heart rate as a mechanism for musical emotion induction: A plausible hypothesis in need of evidence?\",\"authors\":\"Patrik N Juslin, Laszlo Harmat, Gonçalo Barradas, Gustaf Omstedt, Veronica Redtzer\",\"doi\":\"10.1177/03057356241302809\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Several researchers have hypothesized that a musical rhythm can influence a listener’s heart rate through a process of entrainment and that this mechanism can influence the emotional feelings of the listener also. However, previous research has yielded mixed results, perhaps due to methodological problems. In this study, we independently manipulated the tempo of pieces of ambient instrumental music with a salient rhythm to influence the heart rate of 36 listeners with varying musical backgrounds, who also reported felt arousal and valence and subjective impressions of various induction mechanisms. Using a 2 × 2 × 2 factorial design, we manipulated direction (up vs. down) and magnitude (±3% vs. ±30%) of tempo change and extent of listener movement (finger tapping vs. still listening). For each trial, the tempo was manipulated in reference to the present heart rate of the individual listener. The results showed little evidence of entrainment. In general, listeners’ heart rate did not align with the target tempo (i.e., entrainment proper) nor did it change in the direction of the target tempo (i.e., entrainment tendencies). Instead, regardless of direction and size of tempo change, we observed a similar small increase in heart rate and arousal. The results are consistent with a general arousal effect of musical rhythm.\",\"PeriodicalId\":47977,\"journal\":{\"name\":\"Psychology of Music\",\"volume\":\"79 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Psychology of Music\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1177/03057356241302809\",\"RegionNum\":3,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356241302809","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Rhythmic entrainment of heart rate as a mechanism for musical emotion induction: A plausible hypothesis in need of evidence?
Several researchers have hypothesized that a musical rhythm can influence a listener’s heart rate through a process of entrainment and that this mechanism can influence the emotional feelings of the listener also. However, previous research has yielded mixed results, perhaps due to methodological problems. In this study, we independently manipulated the tempo of pieces of ambient instrumental music with a salient rhythm to influence the heart rate of 36 listeners with varying musical backgrounds, who also reported felt arousal and valence and subjective impressions of various induction mechanisms. Using a 2 × 2 × 2 factorial design, we manipulated direction (up vs. down) and magnitude (±3% vs. ±30%) of tempo change and extent of listener movement (finger tapping vs. still listening). For each trial, the tempo was manipulated in reference to the present heart rate of the individual listener. The results showed little evidence of entrainment. In general, listeners’ heart rate did not align with the target tempo (i.e., entrainment proper) nor did it change in the direction of the target tempo (i.e., entrainment tendencies). Instead, regardless of direction and size of tempo change, we observed a similar small increase in heart rate and arousal. The results are consistent with a general arousal effect of musical rhythm.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.