[贵族在荣誉与能力的较量中受伤]。

Oliver Auge
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引用次数: 0

摘要

Oliver Auge在这篇文章中指出,在中世纪晚期,由于战斗和比武而导致的残疾的后果介于排斥和欣赏之间——这与古罗马共和国的模式相似。由于大多数中世纪资料都没有提供有关这一主题的任何信息,奥格得出结论,受影响的贵族要么被视为社会中的干扰因素,要么他们甚至认为自己是这样的。但是,一旦他们明确地表明自己曾经参加过导致他们残疾的战争或比武,或者他们的表现高于常人,他们就会得到社会的认可。关于这一现象的大量证据出现在1500年左右,这使得作者得出结论,残疾的观点随着从中世纪到现代的过渡而逐渐改变。另一方面,像伯利辛根的铁腕作品Götz,或者经常被描绘的费德里科·达·蒙特费尔特罗的引人注目的侧面,这些例子表明,身体的完整性仍然是标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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[Noblemen injured in fights and jousts in the field of tension between honour and ability].

Oliver Auge shows in this article that, in the late Middle Ages, the consequences of invalidity due to fighting and jousts ranged between exclusion and appreciation--a similar pattern to what can be observed in the ancient Roman Republic. As the majority of medieval sources do not provide any information concerning this topic, Auge concludes that affected nobles were either seen as disturbing elements within the society or they even regarded themselves as such. But they met with social approval as soon as they explicitly identified themselves as former participants of wars or jousts that had caused their invalidity or if their performance was above the norm. A remarkable amount of evidence for this phenomenon appeared around the year 1500 leading the author to conclude that the view of disability gradually changed with the transition from Middle Ages to Modernity. Examples like that of Götz of Berlichingen's iron hand or the striking profile of the often portrayed Federico da Montefeltro, on the other hand, show that physical integrity was still the standard.

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