反对魔鬼的金属:基督教在捷克和斯洛伐克反对金属音乐会和节日的公共话语策略

IF 0.5 Q3 CULTURAL STUDIES Metal Music Studies Pub Date : 2022-06-01 DOI:10.1386/mms_00077_1
M. Vrzal
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引用次数: 0

摘要

在宗教回归公共领域的背景下,本文探讨了自2013年以来,在高度世俗化的捷克和斯洛伐克,在宗教(尤其是天主教会)与国家密切相关的情况下,基督教在公众斗争中反对某些金属音乐会和节日的话语策略。成员分类分析确定了金属构成敌人的三个主要类别:"宗教斗争"、"对社会/国家的危险"和"对个人道德和健康的危险"。反对金属的基督徒在他们的演讲中使用了一系列的修辞策略,既有宗教的(即与撒旦作战),也有世俗的(即某些乐队的所谓极端主义),以动员基督徒社区,也吸引政治和公众。在捷克,它主要针对基督教少数群体和地方政治,而在斯洛伐克,宗教演员能够动员更广泛的网络反对金属音乐会/节日,包括全国政治。
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Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia
In the context of a process of return of religion to the public sphere, this article deals with Christian discursive strategies in public struggles against selected metal concerts and festivals since 2013 in highly secularized Czechia and in Slovakia with a close connection of religion (especially the Catholic Church) to the state. Membership categorization analysis identified three main categories used in the construction of metal as an enemy: ‘religious struggle’, ‘danger for society/state’ and ‘danger for morality and health of individuals’. Christian opponents of metal use in their discourse sets of rhetorical tactics with both religious (i.e. fight against Satan) and secular pieces (i.e. supposed extremism of some bands) to mobilize Christian community and also to attract politics and the public. In Czechia it was targeted mainly to the Christian minority and local politics, while in Slovakia religious actors were able to mobilize broader networks against metal concerts/festivals, including nation-wide politics.
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来源期刊
Metal Music Studies
Metal Music Studies Arts and Humanities-Music
CiteScore
1.20
自引率
0.00%
发文量
19
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