{"title":"埃瓦里斯托与安的新女性意识","authors":"Evelyn Amarillas Amaya","doi":"10.53397/hunnu.jflc.202202007","DOIUrl":null,"url":null,"abstract":"This essay analyzes the Mestizo consciousness in Borderlands: The New Mestiza, by Chicana writer Gloria Anzaldúa, together with the short story “Olhos d’Agua” by the Afro-Brazilian writer Conceição Evaristo. In both works, there is an attempt to return to the indigenous tradition as a way of opposing Western male domination. Both writers, belonging to historically marginalized social groups and finding themselves in the middle of two cultures, take elements from precolonial cultures in their texts to propose a decolonized new way of understanding the world.","PeriodicalId":65200,"journal":{"name":"Journal of Languages and Cultures","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A New Feminist Consciousness in Conceição Evaristo and Gloria Anzaldúa\",\"authors\":\"Evelyn Amarillas Amaya\",\"doi\":\"10.53397/hunnu.jflc.202202007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay analyzes the Mestizo consciousness in Borderlands: The New Mestiza, by Chicana writer Gloria Anzaldúa, together with the short story “Olhos d’Agua” by the Afro-Brazilian writer Conceição Evaristo. In both works, there is an attempt to return to the indigenous tradition as a way of opposing Western male domination. Both writers, belonging to historically marginalized social groups and finding themselves in the middle of two cultures, take elements from precolonial cultures in their texts to propose a decolonized new way of understanding the world.\",\"PeriodicalId\":65200,\"journal\":{\"name\":\"Journal of Languages and Cultures\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Languages and Cultures\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.53397/hunnu.jflc.202202007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Languages and Cultures","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.53397/hunnu.jflc.202202007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文分析了奇卡纳作家Gloria Anzaldúa的《无主之地:新梅斯蒂萨》中的梅斯蒂索人意识,并结合巴西黑人作家concep o Evaristo的短篇小说《Olhos d’agua》。在这两部作品中,都试图回归本土传统,作为反对西方男性统治的一种方式。这两位作家都属于历史上被边缘化的社会群体,并发现自己处于两种文化的中间,他们在自己的文本中汲取了前殖民文化的元素,提出了一种非殖民化的理解世界的新方式。
A New Feminist Consciousness in Conceição Evaristo and Gloria Anzaldúa
This essay analyzes the Mestizo consciousness in Borderlands: The New Mestiza, by Chicana writer Gloria Anzaldúa, together with the short story “Olhos d’Agua” by the Afro-Brazilian writer Conceição Evaristo. In both works, there is an attempt to return to the indigenous tradition as a way of opposing Western male domination. Both writers, belonging to historically marginalized social groups and finding themselves in the middle of two cultures, take elements from precolonial cultures in their texts to propose a decolonized new way of understanding the world.