{"title":"演员声乐动作中的“潜台词”与“内心独白”","authors":"І. О. Сорока","doi":"10.31500/2309-8813.16.2020.220007","DOIUrl":null,"url":null,"abstract":"The scientific novelty of the work lies in the fact that for the first time specific commonalities and differences of “subtext”and “internal monologue” in the verbal action of the actor are pointed out. The scheme of existence of the process of “internal monologue” in the pause (on the partner’s remark) and in the phrase (when pronouncing the text) is considered. The identity of “subtext” and “internal monologue” in the indirect text (dialogue) and the transformation of “internal monologue” in the sense of expression are indicated.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«Підтекст» та «внутрішній монолог» у словесній дії актора\",\"authors\":\"І. О. Сорока\",\"doi\":\"10.31500/2309-8813.16.2020.220007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The scientific novelty of the work lies in the fact that for the first time specific commonalities and differences of “subtext”and “internal monologue” in the verbal action of the actor are pointed out. The scheme of existence of the process of “internal monologue” in the pause (on the partner’s remark) and in the phrase (when pronouncing the text) is considered. The identity of “subtext” and “internal monologue” in the indirect text (dialogue) and the transformation of “internal monologue” in the sense of expression are indicated.\",\"PeriodicalId\":34369,\"journal\":{\"name\":\"Suchasne mistetstvo\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Suchasne mistetstvo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31500/2309-8813.16.2020.220007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suchasne mistetstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31500/2309-8813.16.2020.220007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«Підтекст» та «внутрішній монолог» у словесній дії актора
The scientific novelty of the work lies in the fact that for the first time specific commonalities and differences of “subtext”and “internal monologue” in the verbal action of the actor are pointed out. The scheme of existence of the process of “internal monologue” in the pause (on the partner’s remark) and in the phrase (when pronouncing the text) is considered. The identity of “subtext” and “internal monologue” in the indirect text (dialogue) and the transformation of “internal monologue” in the sense of expression are indicated.