{"title":"克里米亚鞑靼艺术文化与装饰艺术形成过程的民族文化基础(三)","authors":"Ismet A. Zaatov","doi":"10.22378/kio.2023.1.120-146","DOIUrl":null,"url":null,"abstract":"In the article an attempt is made to trace the stages of development of the process of the Kypchak-Tatar – Turko-Seljuk Turkization and the beginning of the process of Asia Minor–Central Asian Islamization of the population of the peninsula and formation of artistic culture and decorative art of the Crimean Tatars during the formation of the foundations of the Crimean Tatar statehood in the Black Sea uluses of the Golden Horde.","PeriodicalId":34588,"journal":{"name":"Krymskoe istoricheskoe obozrenie","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three)\",\"authors\":\"Ismet A. Zaatov\",\"doi\":\"10.22378/kio.2023.1.120-146\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the article an attempt is made to trace the stages of development of the process of the Kypchak-Tatar – Turko-Seljuk Turkization and the beginning of the process of Asia Minor–Central Asian Islamization of the population of the peninsula and formation of artistic culture and decorative art of the Crimean Tatars during the formation of the foundations of the Crimean Tatar statehood in the Black Sea uluses of the Golden Horde.\",\"PeriodicalId\":34588,\"journal\":{\"name\":\"Krymskoe istoricheskoe obozrenie\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Krymskoe istoricheskoe obozrenie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22378/kio.2023.1.120-146\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Krymskoe istoricheskoe obozrenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22378/kio.2023.1.120-146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three)
In the article an attempt is made to trace the stages of development of the process of the Kypchak-Tatar – Turko-Seljuk Turkization and the beginning of the process of Asia Minor–Central Asian Islamization of the population of the peninsula and formation of artistic culture and decorative art of the Crimean Tatars during the formation of the foundations of the Crimean Tatar statehood in the Black Sea uluses of the Golden Horde.
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