{"title":"平凡的死亡时刻:20世纪30年代末德国犹太人家园的照片","authors":"Ofer Ashkenazi","doi":"10.2979/jewisocistud.26.3.06","DOIUrl":null,"url":null,"abstract":"Abstract:Historians of interwar Germany have noted the transformation in the perception of “the ordinary” under Nazism. This article analyzes private photographs of the Jewish home as responses to this transformation. Taken and compiled in albums by German Jews in the late 1930s, these photographs display two major stylistic paradigms, which communicate two distinct approaches to the persecution of German Jews since 1933. The first documented domestic routines in a way that alluded to major tropes of both German national culture and Jewish religious heritage. It depicted changes in the daily experiences of Jews as the downfall of (German) bourgeois culture. The second paradigm moved in the opposite direction, by engaging in a conspicuous effort to disconnect ordinary scenes at home from the ominous circumstances that prevailed beyond its walls. The latter paradigm seems to portray the Jewish home as a site of escapist refuge from reality. Yet, I argue, it often functioned as a vehicle for a sinister depiction of the “new ordinary” as a signifier of inevitable demise.","PeriodicalId":45288,"journal":{"name":"JEWISH SOCIAL STUDIES","volume":"26 1","pages":"149 - 185"},"PeriodicalIF":0.5000,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ordinary Moments of Demise: Photographs of the Jewish Home in Late 1930s Germany\",\"authors\":\"Ofer Ashkenazi\",\"doi\":\"10.2979/jewisocistud.26.3.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Historians of interwar Germany have noted the transformation in the perception of “the ordinary” under Nazism. This article analyzes private photographs of the Jewish home as responses to this transformation. Taken and compiled in albums by German Jews in the late 1930s, these photographs display two major stylistic paradigms, which communicate two distinct approaches to the persecution of German Jews since 1933. The first documented domestic routines in a way that alluded to major tropes of both German national culture and Jewish religious heritage. It depicted changes in the daily experiences of Jews as the downfall of (German) bourgeois culture. The second paradigm moved in the opposite direction, by engaging in a conspicuous effort to disconnect ordinary scenes at home from the ominous circumstances that prevailed beyond its walls. The latter paradigm seems to portray the Jewish home as a site of escapist refuge from reality. Yet, I argue, it often functioned as a vehicle for a sinister depiction of the “new ordinary” as a signifier of inevitable demise.\",\"PeriodicalId\":45288,\"journal\":{\"name\":\"JEWISH SOCIAL STUDIES\",\"volume\":\"26 1\",\"pages\":\"149 - 185\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-10-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JEWISH SOCIAL STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/jewisocistud.26.3.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JEWISH SOCIAL STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/jewisocistud.26.3.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Ordinary Moments of Demise: Photographs of the Jewish Home in Late 1930s Germany
Abstract:Historians of interwar Germany have noted the transformation in the perception of “the ordinary” under Nazism. This article analyzes private photographs of the Jewish home as responses to this transformation. Taken and compiled in albums by German Jews in the late 1930s, these photographs display two major stylistic paradigms, which communicate two distinct approaches to the persecution of German Jews since 1933. The first documented domestic routines in a way that alluded to major tropes of both German national culture and Jewish religious heritage. It depicted changes in the daily experiences of Jews as the downfall of (German) bourgeois culture. The second paradigm moved in the opposite direction, by engaging in a conspicuous effort to disconnect ordinary scenes at home from the ominous circumstances that prevailed beyond its walls. The latter paradigm seems to portray the Jewish home as a site of escapist refuge from reality. Yet, I argue, it often functioned as a vehicle for a sinister depiction of the “new ordinary” as a signifier of inevitable demise.
期刊介绍:
Jewish Social Studies recognizes the increasingly fluid methodological and disciplinary boundaries within the humanities and is particularly interested both in exploring different approaches to Jewish history and in critical inquiry into the concepts and theoretical stances that underpin its problematics. It publishes specific case studies, engages in theoretical discussion, and advances the understanding of Jewish life as well as the multifaceted narratives that constitute its historiography.