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"Our Good Friend and Illustrious Coreligionist Theodor Herzl": The Three Interviews of La epoka with the Zionist Leader and Hamidian Censorship "我们的好朋友和杰出的宗教领袖西奥多-赫茨尔":La epoka》对犹太复国主义领袖的三次采访和哈米迪亚审查制度
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00012
Selim Tezcan

Abstract:

La epoka was a Ladino newspaper published in Salonica. Its editor Sam Lévy published three interviews with Theodor Herzl between 1901 and 1904. His announcement and subsequent publication of the third interview drew angry responses from the Sublime Porte, which ordered the governor of Salonica to close it down. The governor resisted the orders and La epoka remained open, even publishing a eulogistic obituary of Herzl. In this article, I examine these interviews and obituary, showing that Lévy combined his sharp criticisms of Zionism with an adulation of the Zionist leader. I also explore Ottoman archival documents about the Ladino press and argue that Hamidian censorship could be flexible according to political circumstances, overlooking Lévy’s first two interviews that were made during the Ottoman government’s negotiations with Herzl, yet reacting sharply to the third interview conducted afterward and containing direct references to the Sixth Zionist Congress.

摘要:La epoka 是一份在萨洛尼卡出版的拉迪诺语报纸。该报编辑萨姆-莱维在 1901 年至 1904 年间发表了三次对西奥多-赫茨尔的采访。他的声明和随后发表的第三次采访引起了崇高港的愤怒,崇高港命令萨洛尼卡总督关闭该报。总督抵制了这一命令,《La epoka》仍然开着,甚至还发表了一篇讴歌赫茨尔的讣告。在本文中,我对这些采访和讣告进行了研究,表明莱维将其对犹太复国主义的尖锐批评与对犹太复国主义领袖的崇拜结合在一起。我还探讨了奥斯曼帝国有关拉迪诺报刊的档案文件,并认为哈米迪亚的审查制度可以根据政治形势灵活运用,我忽略了莱维在奥斯曼帝国政府与赫茨尔谈判期间进行的前两次采访,但对其后进行的、直接提及第六次犹太复国主义大会的第三次采访做出了强烈反应。
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引用次数: 0
Live Davenings: Technologies of Ritual Learning and the Convening of a Jewish Sacred Music Underground 现场达沃斯:仪式学习技术与犹太圣乐地下聚会
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00008
Jeremiah Lockwood

Abstract:

Surreptitiously collected field recordings of cantors at the pulpit, made in disregard for the rules of synagogue comportment, circulated for decades among a small group of collectors in an underground economy of homemade dubbed cassettes. These secret recordings, referred to as “live davenings,” usurp the characteristic ephemerality of prayer to document a twentieth century aesthetic concept of cantorial music as an art form beyond its ritual function. In the past decade, many of these recordings have surfaced on YouTube and file sharing sites, reaching an expanded audience and exposing a new generation to a largely abandoned style of liturgical performance. Through ethnography with field recording makers, internet-savvy collectors, and the artists who use the secrets in the live davening archive to build projects of cantorial revival, this article offers an examination of a body of archival material that has not previously been the topic of any scholarly investigation.

摘要:无视犹太教堂的礼仪规定,秘密收集的唱诗班成员在讲坛上的现场录音在一小撮收藏家中间流传了几十年,形成了自制配音磁带的地下经济。这些被称为 "现场祷告 "的秘密录音篡改了祷告特有的短暂性,记录了二十世纪的美学概念,即唱诗班音乐是一种超越仪式功能的艺术形式。在过去的十年中,许多此类录音出现在 YouTube 和文件共享网站上,扩大了受众范围,并使新一代人接触到这种在很大程度上被遗弃的礼仪表演方式。通过对现场录音制作者、精通互联网的收藏者以及利用现场进堂档案中的秘密建立唱诗班复兴项目的艺术家进行人种学研究,本文对以前从未作为任何学术调查主题的档案材料进行了研究。
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引用次数: 0
Queering Jewish Studies 同性恋犹太研究
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00007
Anna Hájková, Karolina Krasuska, J. Rafael Balling, Gregg Drinkwater, Aleksandra Gajowy, Carli Snyder, Max Strassfeld, Mir Yarfitz

Abstract:

This forum brings together eight scholars of various disciplines who take stock of queer perspectives on Jewish Studies, introduce new lines of research, and show the many ways in which queering Jewish Studies energizes the field. The authors also discuss the particular promise of Jewish trans studies as well as the nexus of queers and Jews in the age of rising populism. Overall, the forum serves as a primer for those interested in how to teach or do queer Jewish Studies.

摘要:本论坛汇集了八位不同学科的学者,他们对犹太研究中的同性恋视角进行了总结,介绍了新的研究方向,并展示了同性恋犹太研究为该领域注入活力的多种方式。作者们还讨论了犹太变性研究的特殊前景,以及在民粹主义抬头的时代,同性恋者与犹太人之间的联系。总之,对于那些对如何教授或从事同性恋犹太研究感兴趣的人来说,本论坛是一本入门读物。
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引用次数: 0
Magic in Time of Cholera: Between Jews and Christians in Eastern Europe 霍乱时期的魔法:东欧犹太人与基督徒之间的关系
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00009
Uriel Gellman

Abstract:

This article delves into human responses to pandemics, with a specific focus on the religious practices and folk rituals employed by various social groups in Poland and the western regions of the Russian Empire throughout the nineteenth century. Employing a unique microhistorical case study, it unveils the intricate relationship between these popular religious traditions and the ongoing processes of modernization. Through this example, alongside examinations of rituals practiced within both Jewish and Christian communities, this research sheds light on the dynamic interactions and mutual influences between these groups. Additionally, it highlights the pivotal role of women in revitalizing folk rituals, offering broader insights into cultural transformations during tumultuous and challenging times. This exploration encompasses cross-cultural encounters with magical practices and folk beliefs, providing a nuanced examination of how these practices contributed to the delineation of social boundaries and the ever-evolving landscape of cultural diversification amid the rapid currents of modernization.

摘要:本文深入探讨了人类对大流行病的反应,特别关注了整个十九世纪波兰和俄罗斯帝国西部地区不同社会群体所采用的宗教习俗和民间仪式。该书采用独特的微观历史案例研究,揭示了这些流行的宗教传统与正在进行的现代化进程之间错综复杂的关系。通过这个例子以及对犹太教和基督教社区仪式的研究,本研究揭示了这些群体之间的动态互动和相互影响。此外,本研究还强调了妇女在振兴民间仪式中的关键作用,为人们在动荡和充满挑战的时代进行文化变革提供了更广泛的视角。这一探索涵盖了与魔法习俗和民间信仰的跨文化接触,对这些习俗如何在现代化的急流中促进社会界限的划分和文化多样化的不断发展进行了细致入微的研究。
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引用次数: 0
The Girl with a Bomb in Her Basket: Age, Race, and Jewish Terror on Trial in British Mandate Palestine 篮子里装炸弹的女孩》:英属巴勒斯坦委任统治时期的年龄、种族和犹太恐怖审判
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00013
Caroline Kahlenberg

Abstract:

This article explores how age became racialized in the context of British Mandate Palestine (1917–48). Specifically, it charts European Zionist discourses about how Ashkenazi and Mizrahi Jews aged in different ways. These discourses, which I call “age talk,” played an important role in the court case of Rachel Habshush Ohevet-Ami. In June 1939, Ohevet-Ami, a young Jewish woman of Yemeni and Moroccan descent, disguised herself as an “Arab” and attempted to execute an attack targeting Palestinians in Jerusalem. In her ensuing trial, two questions would decide Ohevet-Ami’s fate: How old was she? And who had the power to decide? As this article searches for an answer, it addresses questions along the way that lie at the heart of the history of British Mandate Palestine about what it meant to be an Arab or a Jew, an “oriental” or a “European,” a terrorist or a freedom fighter, and a child or an adult.

摘要:本文探讨了在英国委任统治巴勒斯坦(1917-48 年)的背景下,年龄是如何被种族化的。具体而言,文章描绘了欧洲犹太复国主义关于阿什肯纳兹犹太人和米兹拉希犹太人如何以不同方式变老的论述。这些论述,我称之为 "年龄言论",在雷切尔-哈布舒什-奥赫维特-阿米的法庭案件中发挥了重要作用。1939 年 6 月,也门和摩洛哥裔的年轻犹太妇女奥赫维特-阿米将自己伪装成 "阿拉伯人",企图在耶路撒冷实施针对巴勒斯坦人的袭击。在随后的审判中,有两个问题将决定奥赫维特-阿米的命运:她多大?谁有权决定她的命运?本文在寻找答案的同时,也探讨了英国委任统治巴勒斯坦历史的核心问题,即阿拉伯人或犹太人、"东方人 "或 "欧洲人"、恐怖分子或自由战士、儿童或成年人的含义。
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引用次数: 0
Spinoza vs. the Kahal: The Zionist Critique of Spinoza's Politics 斯宾诺莎与卡哈尔:犹太复国主义对斯宾诺莎政治学的批判
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00010
Julie E. Cooper

Abstract:

The 1920s and 30s witnessed an explosion of interest in Spinoza among Zionist intellectuals. The reflexive equation of nation and state has led scholars to conclude that Zionists were drawn to Spinoza because he justified state sovereignty. This assumption is mistaken. Eastern European Zionists rejected Spinoza’s sovereignty-centered political thought—precisely because it denies political standing to non-sovereign bodies such as the kahal. Drawing on diasporic history, Spinoza’s Zionist critics elaborated a distinctive political vision that prized national autonomy but did not equate self-rule with sovereign power. I foreground Zionist repudiation of Spinozist sovereignty to challenge reigning assumptions about the ideological sources of non-sovereign politics. Theorists influenced by German Jewish thought have predicated the cultivation of non-sovereign political imagination on a disavowal of nationalism. This opposition—between diaspora and nation, between nationalism and non-sovereignty—is false. In eastern Europe, nationalist figurations of galut (exile) have long inspired non-sovereign, non-Spinozist political imaginaries.

摘要:20 世纪二三十年代,犹太复国主义知识分子对斯宾诺莎的兴趣激增。民族与国家的反身等式使学者们得出结论,犹太复国主义者之所以被斯宾诺莎吸引,是因为他为国家主权辩护。这种假设是错误的。东欧犹太复国主义者拒绝接受斯宾诺莎以主权为中心的政治思想,正是因为它否定了卡哈尔等非主权机构的政治地位。斯宾诺莎的犹太复国主义批评者借鉴散居地历史,阐述了一种独特的政治愿景,即珍视民族自治,但不将自我统治等同于主权权力。我强调犹太复国主义对斯宾诺莎主权的否定,以挑战关于非主权政治的意识形态来源的主流假设。受德国犹太思想影响的理论家们将非主权政治想象力的培养建立在对民族主义的否定之上。这种散居地与民族、民族主义与非主权的对立是错误的。在东欧,民族主义的 "流亡"(galut)形象长期以来激发了非主权、非斯宾诺莎主义的政治想象。
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引用次数: 0
"Don't Give Up Your Ration Card": Beggars, Noise, and the Purpose of Music in the Warsaw Ghetto "不要放弃配给卡":华沙犹太人区的乞丐、噪音和音乐目的
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-06-15 DOI: 10.2979/jss.00011
Jules Riegel

Abstract:

From its 1940 establishment to the Great Deportation of 1942, accounts from the Warsaw Ghetto testify to the misery of beggars within its walls, who drew attention to their plight using songs, cries, shouts, and other sounds. Diaries, reports, and song texts from the ghetto, alongside memoirs and testimonies, reveal beggars’ struggles—as well as non-beggars’ often hostile reactions to their songs and other sounds. Drawing on scholarship in sensory history and cultural histories of the Holocaust, this article reveals that these reactions perpetuated established critiques of shund (artistic “trash”) and tapped into longstanding anxieties about the Jewish community’s status as modern, civilized, and European. However, certain beggars’ songs overcame listeners’ hostility by directly confronting inequality and ghetto authorities’ abuses of power. Beggars and their music were intrinsic to the Warsaw Ghetto’s soundscape, and the debates they engendered reveal how Polish Jews imagined their community’s future, even amid its destruction.

摘要:从 1940 年建立到 1942 年的大驱逐,华沙犹太区的记录见证了犹太区内乞丐的悲惨生活,他们用歌声、哭声、叫喊声和其他声音唤起人们对其困境的关注。来自犹太人区的日记、报告和歌曲文本,以及回忆录和证词,揭示了乞丐的挣扎--以及非乞丐对他们的歌曲和其他声音的敌意反应。本文借鉴了感官史和大屠杀文化史的研究成果,揭示了这些反应延续了对艺术 "垃圾"(shund)的既有批判,并触及了人们对犹太社区作为现代、文明和欧洲人的地位的长期焦虑。然而,某些乞丐的歌曲通过直接对抗不平等和贫民区当局滥用权力,克服了听众的敌意。乞丐和他们的音乐是华沙犹太人区声音景观的固有组成部分,他们引起的争论揭示了波兰犹太人是如何想象他们社区的未来的,即使是在遭到破坏的情况下。
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引用次数: 0
Regulating Emotion: Burial and Mourning of Children in Early Modern Ashkenaz 调节情绪:现代早期阿什肯纳兹人对儿童的埋葬和哀悼
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-03 DOI: 10.2979/jss.00001
Debra Kaplan

Abstract:

This article addresses a lacuna in scholarship: the burial and mourning rites for premodern Jewish children's deaths. I explore three genres of sources from western and central Europe: bylaws, custom books, and epitaphs. I argue that communal leaders regulated the process of grieving one's children, marking those deaths in ways that are different from how an adult is memorialized. Nevertheless, by creating additional rites or by permitting parents to circumvent certain norms, communal leaders acknowledged and even facilitated more intense expressions of parental loss.

摘要:本文探讨了一个学术空白:前现代犹太儿童死亡时的埋葬和哀悼仪式。我探讨了西欧和中欧的三种资料:附则、习俗书和墓志铭。我认为,族群领袖对儿童的哀悼过程进行了规范,他们纪念儿童死亡的方式与纪念成人的方式不同。尽管如此,通过创建额外的仪式或允许父母规避某些规范,社区领导者承认甚至促进了父母丧子之痛的更强烈表达。
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引用次数: 0
Images of Italian Jewish Emancipation: An Analysis of Family Photographs after the Opening of the Roman Ghetto in 1870 意大利犹太人解放的影像:1870 年罗马犹太区开放后的家庭照片分析
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-03 DOI: 10.2979/jss.00005
Edna Barromi-Perlman

Abstract:

This study analyzes late nineteenth- and early twentieth-century photographs in a family album belonging to Roman Jews. The album was compiled at a crucial moment for Italy and for Italian Jews: after the wake of Italy's national unification. For many Roman Jews the risorgimento and Italian unification in 1870 resulted in liberation from crushing poverty, disease, and abuses under the papal state. These years coincided with the invention and development of photography. This article explores how Jewish emancipation and liberation from ghetto life, alongside the rise of photography, influenced the construction of images and photographic portraits of Roman Jews through the analysis of one family album.

摘要:本研究分析了一本属于罗马犹太人的家庭相册中十九世纪末二十世纪初的照片。这本相册是在意大利和意大利犹太人的关键时刻:意大利国家统一之后编纂的。对许多罗马犹太人来说,1870 年的意大利统一和宗教改革使他们摆脱了教皇国统治下的贫困、疾病和虐待。这些年恰逢摄影术的发明和发展。本文通过对一本家庭相册的分析,探讨犹太人的解放和从犹太区生活中解放出来,以及摄影术的兴起如何影响了罗马犹太人的形象塑造和摄影肖像。
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引用次数: 0
The Unexplored History of Ashkenazi Integration in Late Ottoman Palestine 奥斯曼晚期巴勒斯坦阿什肯纳齐人融入社会的未探索历史
IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-03 DOI: 10.2979/jss.00006
Yair Wallach

Abstract:

To what extent did Ashkenazi Jews integrate and acculturate into the local society, culture, and politics of late Ottoman Palestine? This question has been almost entirely ignored by the voluminous scholarship on the migration of Jews from central and eastern Europe to Palestine. This article challenges the widely held assumption that such integration was nonexistent and impossible. Building on recent work on Ashkenazi adoption of Arab clothes, Arabic language, and urban encounters and cohabitation, I argue that Ashkenazi integration in Ottoman Palestine was a very real process, which took on significant dimensions. I focus on civic participation and local politics, military service in the Ottoman army, and deep economic interdependence. Integration was uneven and did not follow a single pathway; rather, there were diverse avenues of integration through Jewish Sephardi society, the Arab elite, Ottoman institutions, and more.

摘要:阿什肯纳兹犹太人在多大程度上融入并适应了奥斯曼帝国晚期巴勒斯坦的当地社会、文化和政治?关于犹太人从中欧和东欧向巴勒斯坦移民的大量学术研究几乎完全忽视了这一问题。本文对这种融合不存在、不可能的普遍假设提出了质疑。在最近关于阿什肯纳兹人采用阿拉伯服饰、阿拉伯语以及城市遭遇和同居的研究基础上,我认为阿什肯纳兹人融入奥斯曼巴勒斯坦是一个非常真实的过程,并具有重要的意义。我将重点放在公民参与和地方政治、在奥斯曼军队中服兵役以及深刻的经济相互依存关系上。融合是不均衡的,也并非只有一条途径;相反,通过犹太人塞法迪社会、阿拉伯精英、奥斯曼机构等,融合的途径多种多样。
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引用次数: 0
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JEWISH SOCIAL STUDIES
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