{"title":"采访Natalia Fedorova","authors":"Charles Bernstein","doi":"10.1215/01903659-9382060","DOIUrl":null,"url":null,"abstract":"\n St. Petersburg new media artist, writer, literary scholar, and translator (PhD in literary theory from Herzen State University) Natalia Fedorova published this interview with Bernstein in Russian in Translit (Moscow), a key journal of innovative poetics, in 2013. Bernstein discusses his connection to Russian poets, starting with Arkadii Dragomoshchenko. He also addresses the way the Cold War torqued the reception of Russian modernist poetry, using Mandelstam as an example.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Interview with Natalia Fedorova\",\"authors\":\"Charles Bernstein\",\"doi\":\"10.1215/01903659-9382060\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n St. Petersburg new media artist, writer, literary scholar, and translator (PhD in literary theory from Herzen State University) Natalia Fedorova published this interview with Bernstein in Russian in Translit (Moscow), a key journal of innovative poetics, in 2013. Bernstein discusses his connection to Russian poets, starting with Arkadii Dragomoshchenko. He also addresses the way the Cold War torqued the reception of Russian modernist poetry, using Mandelstam as an example.\",\"PeriodicalId\":46332,\"journal\":{\"name\":\"Boundary 2-An International Journal of Literature and Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Boundary 2-An International Journal of Literature and Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/01903659-9382060\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Boundary 2-An International Journal of Literature and Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/01903659-9382060","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
St. Petersburg new media artist, writer, literary scholar, and translator (PhD in literary theory from Herzen State University) Natalia Fedorova published this interview with Bernstein in Russian in Translit (Moscow), a key journal of innovative poetics, in 2013. Bernstein discusses his connection to Russian poets, starting with Arkadii Dragomoshchenko. He also addresses the way the Cold War torqued the reception of Russian modernist poetry, using Mandelstam as an example.
期刊介绍：
Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.
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