在社交媒体的声音环境中感知、分享和聆听音乐动物

IF 0.5 2区 艺术学 0 MUSIC Twentieth-Century Music Pub Date : 2022-10-01 DOI:10.1017/S1478572222000251
Kate Galloway
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引用次数: 1

摘要

本文探讨了用户创作者在社交媒体上收听、感知、制作和分享非人类动物音乐的数字视听模因时所采用的策略。模因、卷轴和其他形式的视听社交媒体帖子是一种文化表达形式,通过声音、音乐和动态图像,揭示了人类与非人类动物(尤其是他们的宠物)联系、联系和表现的各种方式。通过聆听在社交媒体平台和网络上流传的多种会唱歌的动物,我认为用户创造者明显地使用音乐和表演来表达音乐意味着什么的另类想法,感觉更接近并与他们生活中重要的动物建立联系,并探索他们可以用声音和音乐来表现非人类动物的方式来探索音乐概念。通过在TikTok、Instagram和Twitter等社交媒体平台上分享的各种病毒式音乐动物模因,我将音乐动物参与式媒体构建为一个创造性的空间,用于探索不同的方法来聆听、表演和为非人类动物的行为、运动和声音交流打分。非人类动物音乐在这种特殊的参与式媒体中有多种形式,由在线用户创作者制作。
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Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media
Abstract This article explores the strategies employed by user-creators as they listen to, sense, make, and share digital audiovisual memes of musicking non-human animals on social media. Memes, reels, and other forms of audiovisual social media posts are a form of cultural expression that reveals the varied ways humans relate to, connect with, and represent non-human animals – especially their pets – through sound, music, and the moving image. By listening to the plurality of musicking animals circulating on social media platforms and networks, I argue that user-creators conspicuously use music and performance to express alternative ideas of what it means to be musical, to feel closer to and connect with the important animals in their lives, and to explore the ways they can represent non-human animals using sound and music to explore musical concepts. Using a varied selection of viral musicking animal memes shared across social media platforms such as TikTok, Instagram, and Twitter, I frame musicking animal participatory media as a creative space for exploring different approaches to listening, performing with, and scoring sound and music to the behaviour, movement, and acoustic communication of the non-human animal. Non-human animal musicking takes a variety of forms across this particular kind of participatory media making by online user-creators.
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来源期刊
CiteScore
0.70
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0.00%
发文量
32
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