{"title":"尼日利亚视频电影中的五旬节基督教与传统宗教","authors":"Edorodion Agbon Osa","doi":"10.1080/13696815.2023.2200923","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines the representation of Pentecostal Christianity and African traditional religion in Edo-language (also known as Bini or Benin) video films. It discusses this in relation to English-language Nigerian religious video filmmakers’ demonisation of African traditional religion in their films. The article responds to Birgit Meyer’s work in her article “Religious Remediations: Pentecostal Views in Ghanaian Video-Movies”. It adopts an ethnographic approach based on participant observation, and uses interviews with key Edo-language video filmmakers. The current scholarship on Nigerian religious video films mainly focuses on the representation of religions in English-language Nollywood films and creates the impression that the Nigerian video film industry is an area of homogeneous cultural production. In contrast, Edo-language film producers do not privilege Pentecostal Christianity or traditional religion in their films but use the values of the two religions, which they see as similar, to edify Edo citizens and to promote the wellbeing of Benin society. This article therefore challenges the view that all Nigerian films represent traditional religion negatively and calls for greater recognition of the particularity of indigenous-language religious video films.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"217 - 231"},"PeriodicalIF":0.9000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pentecostal Christianity and Traditional Religion in Nigerian Video Films by Edo-Language Filmmakers\",\"authors\":\"Edorodion Agbon Osa\",\"doi\":\"10.1080/13696815.2023.2200923\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article examines the representation of Pentecostal Christianity and African traditional religion in Edo-language (also known as Bini or Benin) video films. It discusses this in relation to English-language Nigerian religious video filmmakers’ demonisation of African traditional religion in their films. The article responds to Birgit Meyer’s work in her article “Religious Remediations: Pentecostal Views in Ghanaian Video-Movies”. It adopts an ethnographic approach based on participant observation, and uses interviews with key Edo-language video filmmakers. The current scholarship on Nigerian religious video films mainly focuses on the representation of religions in English-language Nollywood films and creates the impression that the Nigerian video film industry is an area of homogeneous cultural production. In contrast, Edo-language film producers do not privilege Pentecostal Christianity or traditional religion in their films but use the values of the two religions, which they see as similar, to edify Edo citizens and to promote the wellbeing of Benin society. This article therefore challenges the view that all Nigerian films represent traditional religion negatively and calls for greater recognition of the particularity of indigenous-language religious video films.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"35 1\",\"pages\":\"217 - 231\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2023-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2023.2200923\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2023.2200923","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Pentecostal Christianity and Traditional Religion in Nigerian Video Films by Edo-Language Filmmakers
ABSTRACT This article examines the representation of Pentecostal Christianity and African traditional religion in Edo-language (also known as Bini or Benin) video films. It discusses this in relation to English-language Nigerian religious video filmmakers’ demonisation of African traditional religion in their films. The article responds to Birgit Meyer’s work in her article “Religious Remediations: Pentecostal Views in Ghanaian Video-Movies”. It adopts an ethnographic approach based on participant observation, and uses interviews with key Edo-language video filmmakers. The current scholarship on Nigerian religious video films mainly focuses on the representation of religions in English-language Nollywood films and creates the impression that the Nigerian video film industry is an area of homogeneous cultural production. In contrast, Edo-language film producers do not privilege Pentecostal Christianity or traditional religion in their films but use the values of the two religions, which they see as similar, to edify Edo citizens and to promote the wellbeing of Benin society. This article therefore challenges the view that all Nigerian films represent traditional religion negatively and calls for greater recognition of the particularity of indigenous-language religious video films.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.