克里米亚鞑靼文学语言正体学体系的形成

A. Emirova
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摘要

现代克里米亚鞑靼文学语言作为一种经过处理的超方言通用语言,有着悠久的形成和发展历史。语言学的基础,即语言单位在语音中的使用规则,即与其他单位的组合,拼写和发音的变化,是在上个世纪的20-30年代奠定的。随后发生的悲剧事件(卫国战争、克里米亚鞑靼人被彻底驱逐等)将官方层面对这些问题的讨论推迟了近半个世纪。旨在优化文学语言规范的单独建议在私下里反复提出。因此,在上世纪70年代,塔什干的U.Kukchi为作家和记者阅读了关于克里米亚鞑靼文学语言状况的讲座,这些讲座于1986年以书籍的形式出版。随着克里米亚鞑靼人遣返进程的开始(二十世纪八十年代末),人们对克里米亚鞑靼正骨学问题的兴趣再次加剧。上世纪三四十年代出版的一些教科书是以修改和补充的方式重新出版的。2010年,在“克里米亚工程与教育大学”的基础上,使用新的拉丁字母编制并发布了拼写和发音规则草案。在克里米亚鞑靼语言学中,仍然没有一套完整、正确的克里米亚鞑靼人文学语言规范。在新的社会政治条件下,所有现有的规则都是不合法的。
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Formation of the system of orthology of the Crimean Tatar literary language
The modern Crimean Tatar literary language as a processed supra-dialectal version of the common language has a long history of formation and development. The foundation of the orthology, the rules for the use of linguistic units in speech, that is, combinations with the other, changes in spelling and pronunciation, were laid in the 20–30s of the last century. The subsequent tragic events (Great Patriotic War, total deportation of the Crimean Tatars and others) delayed the discussion of these problems at the official level for almost half a century. Separate proposals aimed at optimizing the norms of the literary language were made repeatedly in private. So, in the 70s of the last century U. Kukchi in Tashkent read lectures for writers and journalists on the state of the Crimean Tatar literary language, which in 1986 were published in a book format. With the beginning of the process of repatriation of the Crimean Tatars (the end of the 80s of the XX century), interest in the problem of the Crimean Tatar orthology has again intensified. Some of the textbooks published in the 30–40s last century were republished in a modified and supplemented way. In 2010, on the basis of the “Crimean Engineering and Pedagogical University” a draft of the spelling and pronunciation rules was developed and published using the new Latin alphabet. In the Crimean Tatar linguistics there is still no complete and correct set of different types of norms of the Crimean Tatar literary language. All the existing rules in new socio-political conditions are not legitimate.
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Tatar poet Sagit Suncheley and Crimea in the early 1920s Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three) Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve Republican Crimean Tatar Museum of Art: the expe­rience of creation (from the first person) Rehabilitation of the Crimean Khanate by Historians in a five-volumes book about the Crimean Tatars
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