{"title":"通过绘画，我们解开了苏格兰社区遗产会议的框架","authors":"A. Hale","doi":"10.1558/jca.38192","DOIUrl":null,"url":null,"abstract":"This illustrated essay discusses the creative practice of 'live drawing' at an annual conference which brings together Scotland's community heritage practitioners. It discusses the application of drawing as documentation whilst people are giving talks about their projects, and critically explores the use of drawing as a 'way of seeing' events that are tied to the past. It develops the idea that the format of the conferences, just like the composition and content of the illustrations, applies framing devices that contain and constrain our creativity, but that can also enable imaginary opportunities when considering the past in the present.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":"7 1","pages":"4–22-4–22"},"PeriodicalIF":0.6000,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"By Drawing We Unframe Scotland’s Community Heritage Conference\",\"authors\":\"A. Hale\",\"doi\":\"10.1558/jca.38192\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This illustrated essay discusses the creative practice of 'live drawing' at an annual conference which brings together Scotland's community heritage practitioners. It discusses the application of drawing as documentation whilst people are giving talks about their projects, and critically explores the use of drawing as a 'way of seeing' events that are tied to the past. It develops the idea that the format of the conferences, just like the composition and content of the illustrations, applies framing devices that contain and constrain our creativity, but that can also enable imaginary opportunities when considering the past in the present.\",\"PeriodicalId\":54020,\"journal\":{\"name\":\"Journal of Contemporary Archaeology\",\"volume\":\"7 1\",\"pages\":\"4–22-4–22\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2020-11-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Archaeology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jca.38192\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.38192","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
By Drawing We Unframe Scotland’s Community Heritage Conference
This illustrated essay discusses the creative practice of 'live drawing' at an annual conference which brings together Scotland's community heritage practitioners. It discusses the application of drawing as documentation whilst people are giving talks about their projects, and critically explores the use of drawing as a 'way of seeing' events that are tied to the past. It develops the idea that the format of the conferences, just like the composition and content of the illustrations, applies framing devices that contain and constrain our creativity, but that can also enable imaginary opportunities when considering the past in the present.
期刊介绍：
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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