Linda Mussell, J. Piché, Kevin Walby, Lisa Guenther
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引用次数: 1
摘要
本文探讨了联合之路与加拿大惩教署(CSC)和金斯敦市在金斯敦监狱合作举办的2019年Rockin ' the Big House筹款音乐会有关慈善和监禁文化意义的斗争。在刑罚、监狱旅游和慈善部门的交叉点上,我们为文学做出贡献,我们研究了在加拿大第一所监狱举行的音乐会中,舞台真实性和培养刑罚观众是如何推动门票销售和鼓励享受的。基于对政府内部记录和CSC与联合劝募协会的沟通的分析,我们展示了活动策划和广告是如何依赖于对犯罪人员的诋毁刻板印象的。强调集体组织的价值,行动研究,以及旨在反对死刑享受的新闻干预,我们说明了如何将惩罚的文化意义作为推进废除主义政治的手段来面对。
‘A prison is no place for a party’: Neoliberalism, charitable fundraising, carceral enjoyments and abolitionist killjoys
ABSTRACT This paper explores a case study of the struggle over the cultural meanings of charity and imprisonment related to United Way’s 2019 Rockin’ The Big House fundraising concert in partnership with Correctional Service of Canada (CSC) and the City of Kingston at Kingston Penitentiary. Contributing to literature at the intersection of penality, prison tourism, and the charitable sector, we examine how staging authenticity and fostering penal spectatorship were central to driving ticket sales for and encouraging enjoyment at the concert held on the grounds of Canada’s first penitentiary. Based on an analysis of internal government records and CSC communications with United Way, we demonstrate how event planning and advertising relied on denigrating stereotypes regarding criminalized persons. Highlighting the value of collective organizing, action research, and newsmaking interventions aimed at opposing carceral enjoyments, we illustrate how cultural meanings of penality can be confronted as a means to advance abolitionist politics.