{"title":"Erica Van Horn的创造性练习","authors":"J. Bates","doi":"10.1080/09670882.2023.2169224","DOIUrl":null,"url":null,"abstract":"ABSTRACT Erica Van Horn is an American artist and writer who has been living in Ireland since 1996, and runs Coracle Press with the poet Simon Cutts from their home in rural Tipperary. Van Horn’s work often takes as its starting point local customs or linguistic practices that perplex the outsider, creating journal entries, books and ephemera that present a one-sided, coolly recorded, wryly humorous set of observations. This is the first study of the representation of Ireland in Van Horn’s work. The article draws on Claudia Kinmonth’s study of the resourcefulness of the rural Irish material economy. Van Horn’s work shares the “inventive and resourceful” qualities praised by Kinmonth, “making do” with the physical, visual, and verbal raw materials in her immediate environment. Following a comparative reading of Van Horn alongside the writers Claire-Louise Bennett and Alice Lyons, who have both written books in rural Ireland from the perspective of the “blow-in,” this article proposes that Van Horn’s work is a form of “local looking” and “attending to what is close at hand,” qualities that have been called for by the writer Tim Dee as a means of fostering imaginative engagement with place at this time of climate crisis.","PeriodicalId":88531,"journal":{"name":"Irish studies review","volume":"31 1","pages":"139 - 158"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Erica Van Horn’s creative exercises\",\"authors\":\"J. Bates\",\"doi\":\"10.1080/09670882.2023.2169224\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Erica Van Horn is an American artist and writer who has been living in Ireland since 1996, and runs Coracle Press with the poet Simon Cutts from their home in rural Tipperary. Van Horn’s work often takes as its starting point local customs or linguistic practices that perplex the outsider, creating journal entries, books and ephemera that present a one-sided, coolly recorded, wryly humorous set of observations. This is the first study of the representation of Ireland in Van Horn’s work. The article draws on Claudia Kinmonth’s study of the resourcefulness of the rural Irish material economy. Van Horn’s work shares the “inventive and resourceful” qualities praised by Kinmonth, “making do” with the physical, visual, and verbal raw materials in her immediate environment. Following a comparative reading of Van Horn alongside the writers Claire-Louise Bennett and Alice Lyons, who have both written books in rural Ireland from the perspective of the “blow-in,” this article proposes that Van Horn’s work is a form of “local looking” and “attending to what is close at hand,” qualities that have been called for by the writer Tim Dee as a means of fostering imaginative engagement with place at this time of climate crisis.\",\"PeriodicalId\":88531,\"journal\":{\"name\":\"Irish studies review\",\"volume\":\"31 1\",\"pages\":\"139 - 158\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Irish studies review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09670882.2023.2169224\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Irish studies review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09670882.2023.2169224","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
Erica Van Horn是一位美国艺术家和作家,自1996年以来一直生活在爱尔兰,并与诗人Simon Cutts在他们位于蒂珀雷里乡村的家中经营Coracle出版社。范霍恩的作品通常以让外来者困惑的当地习俗或语言习惯为出发点,创作日记、书籍和蜉蝣,呈现一组片面的、冷静记录的、讽刺幽默的观察。这是对范霍恩作品中爱尔兰形象的首次研究。这篇文章借鉴了克劳迪娅·金蒙斯对爱尔兰农村物质经济的智谋的研究。范霍恩的作品分享了金蒙斯称赞的“创造性和足智多谋”的品质,在她的直接环境中“凑合”地使用物理、视觉和语言的原材料。本文将范霍恩的作品与作家克莱尔-路易斯·贝内特(Claire-Louise Bennett)和爱丽丝·莱昂斯(Alice Lyons)进行比较阅读,这两位作家都从“吹入”的角度在爱尔兰农村写过书。本文认为,范霍恩的作品是一种“着眼于当地”和“关注近在眼前的事物”的形式,作家蒂姆·迪(Tim Dee)一直呼吁这些品质,作为在气候危机时期培养对地方的想象力的一种手段。
ABSTRACT Erica Van Horn is an American artist and writer who has been living in Ireland since 1996, and runs Coracle Press with the poet Simon Cutts from their home in rural Tipperary. Van Horn’s work often takes as its starting point local customs or linguistic practices that perplex the outsider, creating journal entries, books and ephemera that present a one-sided, coolly recorded, wryly humorous set of observations. This is the first study of the representation of Ireland in Van Horn’s work. The article draws on Claudia Kinmonth’s study of the resourcefulness of the rural Irish material economy. Van Horn’s work shares the “inventive and resourceful” qualities praised by Kinmonth, “making do” with the physical, visual, and verbal raw materials in her immediate environment. Following a comparative reading of Van Horn alongside the writers Claire-Louise Bennett and Alice Lyons, who have both written books in rural Ireland from the perspective of the “blow-in,” this article proposes that Van Horn’s work is a form of “local looking” and “attending to what is close at hand,” qualities that have been called for by the writer Tim Dee as a means of fostering imaginative engagement with place at this time of climate crisis.