{"title":"如何结束奥德赛","authors":"E. Bakker","doi":"10.1515/tc-2020-0004","DOIUrl":null,"url":null,"abstract":"Abstract This contribution discusses the plot of the Odyssey as a field of opposing forces shaping the ending of the poem: (i) the generic tension between folktale and epic; (ii) the fundamental ambiguity of the poem’s climactic event, the killing of the Suitors (justice or revenge?); and (iii) the antagonism between Zeus and Poseidon. On this basis two competing scenarios for the ending of the poem are proposed: amnesia and departure, the former viewing the theme of revenge on the human plane, the latter on the divine.","PeriodicalId":41704,"journal":{"name":"Trends in Classics","volume":"12 1","pages":"48 - 68"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/tc-2020-0004","citationCount":"0","resultStr":"{\"title\":\"How to End the Odyssey\",\"authors\":\"E. Bakker\",\"doi\":\"10.1515/tc-2020-0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This contribution discusses the plot of the Odyssey as a field of opposing forces shaping the ending of the poem: (i) the generic tension between folktale and epic; (ii) the fundamental ambiguity of the poem’s climactic event, the killing of the Suitors (justice or revenge?); and (iii) the antagonism between Zeus and Poseidon. On this basis two competing scenarios for the ending of the poem are proposed: amnesia and departure, the former viewing the theme of revenge on the human plane, the latter on the divine.\",\"PeriodicalId\":41704,\"journal\":{\"name\":\"Trends in Classics\",\"volume\":\"12 1\",\"pages\":\"48 - 68\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1515/tc-2020-0004\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trends in Classics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/tc-2020-0004\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trends in Classics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/tc-2020-0004","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Abstract This contribution discusses the plot of the Odyssey as a field of opposing forces shaping the ending of the poem: (i) the generic tension between folktale and epic; (ii) the fundamental ambiguity of the poem’s climactic event, the killing of the Suitors (justice or revenge?); and (iii) the antagonism between Zeus and Poseidon. On this basis two competing scenarios for the ending of the poem are proposed: amnesia and departure, the former viewing the theme of revenge on the human plane, the latter on the divine.
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