{"title":"运用档案材料、个人叙述、神话和躯体实践的翻译表演方法:《火的子宫》的制作","authors":"S. Matchett, Rehane Abrahams","doi":"10.1080/10137548.2020.1742780","DOIUrl":null,"url":null,"abstract":"The article offers a pragmatic investigation that addresses translation both as an embodied activity of recalling erased memory and as a recuperation of the dis-membered post-slave/post-colonial fe...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":"33 1","pages":"34-51"},"PeriodicalIF":0.2000,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10137548.2020.1742780","citationCount":"0","resultStr":"{\"title\":\"The application of a translational performance method using archival material, personal narrative, mythology and somatic practices: the making of Womb of Fire\",\"authors\":\"S. Matchett, Rehane Abrahams\",\"doi\":\"10.1080/10137548.2020.1742780\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article offers a pragmatic investigation that addresses translation both as an embodied activity of recalling erased memory and as a recuperation of the dis-membered post-slave/post-colonial fe...\",\"PeriodicalId\":42236,\"journal\":{\"name\":\"South African Theatre Journal\",\"volume\":\"33 1\",\"pages\":\"34-51\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10137548.2020.1742780\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South African Theatre Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10137548.2020.1742780\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South African Theatre Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10137548.2020.1742780","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
The application of a translational performance method using archival material, personal narrative, mythology and somatic practices: the making of Womb of Fire
The article offers a pragmatic investigation that addresses translation both as an embodied activity of recalling erased memory and as a recuperation of the dis-membered post-slave/post-colonial fe...
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