逝去的时光：20世纪30年代的真实时间、肮脏的身体与阅读伦理

IF 0.3 4区文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Configurations Pub Date : 2021-06-11 DOI:10.1353/con.2021.0009

A. Greene

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引用次数: 0

摘要

摘要:本文将实时性理解为一种面向当下及其文档的取向，而不是一种具体的(数字确定的)技术信息，并将实时性定位于20世纪30年代英国蓬勃发展的摄影小报文化。它追溯了两次世界大战期间信息传播和流通的技术创新如何影响读者与其“现实生活”环境之间的电路。此外，通过与伊芙琳·沃(Evelyn Waugh)的《邪恶的身体》(1930)——一部介于小说和小报增刊之间的文本——的接触，它表明了实时新习惯的、忧郁的阅读模式可能会如何推动个人在面对个人痛苦和集体暴力时袖手旁观。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Passing Hour: 1930s Real-Time, Vile Bodies, and the Ethics of Reading

Abstract:Understanding real-time as an orientation toward the present and its documentation as opposed to a concrete (digitally determined) technological affordance, this article locates real-time in the burgeoning photographic tabloid culture of 1930s Britain. It traces how technical innovations in information transmission and circulation during the interwar years impacted the circuits between readers and their "real life" environment. Moreover, by engaging with Evelyn Waugh's Vile Bodies (1930), a text strung between novel and tabloid supplement, it suggests how real-time's newly habituated, melancholic modes of reading might push individuals to stand by in the face of individual pain and mass violence.

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来源期刊

Configurations Arts and Humanities-Literature and Literary Theory

CiteScore

0.50

自引率

0.00%

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期刊介绍： Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).