{"title":"新加坡的取景地:Instagram上对闹鬼的描绘","authors":"Ershen Kaur, C. Graham, Koh Hong Kai","doi":"10.1080/01972243.2022.2071216","DOIUrl":null,"url":null,"abstract":"Abstract In this article we examine the construction and circulation of images of a purportedly haunted house in Singapore’s folklore, Istana Woodneuk, through Instagram. Analyzing a corpus of 960 Instagram images, we first identify 14 tropes and then two overarching themes – haunted-place making and subversive imaging. We make three main points in this article. Firstly, we argue that the creation of Istana Woodneuk Instagram posts can be understood only against the backdrop of national anxieties about the constraint and control of land and history. Secondly, and relatedly, we posit that the bottom-up creation and collective sharing of these posts is an assertion of young Singaporean identity against a larger state narrative. Istana Woodneuk, in its ambiguity and hauntedness, along with Instagram’s affordances, gives young Singaporeans a unique unregulated space for escape from “reality” and control. Thirdly, we argue that these Instagram posts blend frivolity and thoughtlessness with resistance and self-expression, where personal stories weave into a larger communal narrative that offers bottom-up alternatives to the state sponsored “Singapore Story.” This intersection between Istana Woodneuk as a space, in contrast to other state-defined delineated places of death, and the infrastructural properties of Instagram are crucial to the construction of this larger narrative.","PeriodicalId":51481,"journal":{"name":"Information Society","volume":"38 1","pages":"200 - 217"},"PeriodicalIF":3.0000,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Inscribing place in Singapore: Instagram depictions of hauntedness\",\"authors\":\"Ershen Kaur, C. Graham, Koh Hong Kai\",\"doi\":\"10.1080/01972243.2022.2071216\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this article we examine the construction and circulation of images of a purportedly haunted house in Singapore’s folklore, Istana Woodneuk, through Instagram. Analyzing a corpus of 960 Instagram images, we first identify 14 tropes and then two overarching themes – haunted-place making and subversive imaging. We make three main points in this article. Firstly, we argue that the creation of Istana Woodneuk Instagram posts can be understood only against the backdrop of national anxieties about the constraint and control of land and history. Secondly, and relatedly, we posit that the bottom-up creation and collective sharing of these posts is an assertion of young Singaporean identity against a larger state narrative. Istana Woodneuk, in its ambiguity and hauntedness, along with Instagram’s affordances, gives young Singaporeans a unique unregulated space for escape from “reality” and control. Thirdly, we argue that these Instagram posts blend frivolity and thoughtlessness with resistance and self-expression, where personal stories weave into a larger communal narrative that offers bottom-up alternatives to the state sponsored “Singapore Story.” This intersection between Istana Woodneuk as a space, in contrast to other state-defined delineated places of death, and the infrastructural properties of Instagram are crucial to the construction of this larger narrative.\",\"PeriodicalId\":51481,\"journal\":{\"name\":\"Information Society\",\"volume\":\"38 1\",\"pages\":\"200 - 217\"},\"PeriodicalIF\":3.0000,\"publicationDate\":\"2022-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Information Society\",\"FirstCategoryId\":\"91\",\"ListUrlMain\":\"https://doi.org/10.1080/01972243.2022.2071216\",\"RegionNum\":3,\"RegionCategory\":\"管理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Information Society","FirstCategoryId":"91","ListUrlMain":"https://doi.org/10.1080/01972243.2022.2071216","RegionNum":3,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
Inscribing place in Singapore: Instagram depictions of hauntedness
Abstract In this article we examine the construction and circulation of images of a purportedly haunted house in Singapore’s folklore, Istana Woodneuk, through Instagram. Analyzing a corpus of 960 Instagram images, we first identify 14 tropes and then two overarching themes – haunted-place making and subversive imaging. We make three main points in this article. Firstly, we argue that the creation of Istana Woodneuk Instagram posts can be understood only against the backdrop of national anxieties about the constraint and control of land and history. Secondly, and relatedly, we posit that the bottom-up creation and collective sharing of these posts is an assertion of young Singaporean identity against a larger state narrative. Istana Woodneuk, in its ambiguity and hauntedness, along with Instagram’s affordances, gives young Singaporeans a unique unregulated space for escape from “reality” and control. Thirdly, we argue that these Instagram posts blend frivolity and thoughtlessness with resistance and self-expression, where personal stories weave into a larger communal narrative that offers bottom-up alternatives to the state sponsored “Singapore Story.” This intersection between Istana Woodneuk as a space, in contrast to other state-defined delineated places of death, and the infrastructural properties of Instagram are crucial to the construction of this larger narrative.
期刊介绍:
The Information Society is a multidisciplinary journal intended to answer questions about the Information Age. It provides a forum for thoughtful commentary and discussion of significant topics in the world of information, such as transborder data flow, regulatory issues, the impact of the information industry, information as a determinant of public and private organizational performance, and information and the sovereignty of the public and private organizational performance, and information and the sovereignty of the public. Its papers analyze information policy issues affecting society. Because of the journal"s international perspective, it will have worldwide appeal to scientists and policymakers in government, education, and industry.