笑不重要?幽默与南非的表现

IF 0.2 0 THEATER South African Theatre Journal Pub Date : 2018-04-25 DOI:10.1080/10137548.2018.1451360
Robin K. Crigler
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引用次数: 2

摘要

尽管漫画家和单口相声演员在南非当代很突出,但关于南非幽默史的学术却少得可怜。在20世纪90年代和21世纪,幽默一直是表现“南非性”的关键媒介——也许在莱昂·舒斯特的喜剧电影中最成功、最具争议。本文通过将舒斯特利润丰厚的电影《骨头先生》和《我的脚凳上有祖鲁人》与早期联合时期(1910年代至1920年代)的记者和剧作家斯蒂芬·布莱克的作品进行比较,展示了进一步探究幽默史的价值,他的幽默作品使用了惊人的相似策略来代表这个国家,而这个国家的建设工作早就被严重忽视了。
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No Laughing Matter? Humour and the performance of South Africa
Despite the contemporary prominence of cartoonists and stand-up comedians in South Africa, woefully little scholarship exists on the history of South African humour. In the 1990s and into the twenty-first century, humour has been a key medium through which ‘South African-ness’ has been represented – perhaps most successfully and controversially in the comedy films of Leon Schuster. This article demonstrates the value of further inquiry into humour history by comparing Schuster’s lucrative films Mr. Bones and There’s a Zulu On My Stoep to the work of Stephen Black, a journalist and playwright of the early Union Period (1910s–1920s), whose humorous works use strikingly similar tactics to represent the nation amid a much earlier – and sorely neglected – nation-building effort.
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来源期刊
CiteScore
0.20
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0.00%
发文量
7
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