{"title":"由瓷砖、砖块和石头建造:亚历山德拉·卡苏巴在纽约的艺术生涯","authors":"Viktorija Kašubaitė-Matranga","doi":"10.37522/aaav.104.2022.101","DOIUrl":null,"url":null,"abstract":"\n\n\nA refugee from Lithuania, Aleksandra Kasuba (1923–2019) arrived in the U.S. in 1947 and built a successful career in the competitive, male-dominated post-World War II New York’s art world. Beginning with small ceramic tile artworks that evolved into multi-media mosaics, Kasuba’s artistic vision expanded to shaping architectural spaces. From 1953 to 1970, appearances in exhibitions organized by the Museum of Contemporary Craft introduced her art to American and international audiences. Her pivotal solo exhibition at an important New York gallery in 1966 led to complex collaborations with noted architects for projects in major U. S. cities. Her innovative monumental designs in marble, brick and granite were focal points of public buildings and spaces. This article examines her key commissions completed from 1970 to 1986 in Chicago, New York City, Rochester, N.Y., Buffalo, N.Y., and Washington, D.C.\n\n\n","PeriodicalId":36620,"journal":{"name":"Acta Academiae Artium Vilnensis","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Built of Tiles, Bricks, and Stone: Aleksandra Kasuba’s Art Career in New York\",\"authors\":\"Viktorija Kašubaitė-Matranga\",\"doi\":\"10.37522/aaav.104.2022.101\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\n\\nA refugee from Lithuania, Aleksandra Kasuba (1923–2019) arrived in the U.S. in 1947 and built a successful career in the competitive, male-dominated post-World War II New York’s art world. Beginning with small ceramic tile artworks that evolved into multi-media mosaics, Kasuba’s artistic vision expanded to shaping architectural spaces. From 1953 to 1970, appearances in exhibitions organized by the Museum of Contemporary Craft introduced her art to American and international audiences. Her pivotal solo exhibition at an important New York gallery in 1966 led to complex collaborations with noted architects for projects in major U. S. cities. Her innovative monumental designs in marble, brick and granite were focal points of public buildings and spaces. This article examines her key commissions completed from 1970 to 1986 in Chicago, New York City, Rochester, N.Y., Buffalo, N.Y., and Washington, D.C.\\n\\n\\n\",\"PeriodicalId\":36620,\"journal\":{\"name\":\"Acta Academiae Artium Vilnensis\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Academiae Artium Vilnensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37522/aaav.104.2022.101\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Academiae Artium Vilnensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37522/aaav.104.2022.101","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Built of Tiles, Bricks, and Stone: Aleksandra Kasuba’s Art Career in New York
A refugee from Lithuania, Aleksandra Kasuba (1923–2019) arrived in the U.S. in 1947 and built a successful career in the competitive, male-dominated post-World War II New York’s art world. Beginning with small ceramic tile artworks that evolved into multi-media mosaics, Kasuba’s artistic vision expanded to shaping architectural spaces. From 1953 to 1970, appearances in exhibitions organized by the Museum of Contemporary Craft introduced her art to American and international audiences. Her pivotal solo exhibition at an important New York gallery in 1966 led to complex collaborations with noted architects for projects in major U. S. cities. Her innovative monumental designs in marble, brick and granite were focal points of public buildings and spaces. This article examines her key commissions completed from 1970 to 1986 in Chicago, New York City, Rochester, N.Y., Buffalo, N.Y., and Washington, D.C.