萨拉·梅萨的《看不见的火》是对“消费者”的含蓄批评

Q3 Arts and Humanities Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI:10.14746/trop.2022.491.003
Marta Kobiela-Kwaśniewska
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引用次数: 0

摘要

本文试图揭示萨拉·梅萨的小说《看不见的燃烧》中以想象中的城市瓦多为转喻代表的后现代社会反乌托邦视野的相关问题。这种被遗弃的城市空间让我们反思后现代社会中的关键话题,比如融入未知的地方,重新定义为人父母的概念,流动而反常的爱,社会不平等,被遗弃的老人,消费,购物中心的作用及其意义,人的异化,所有我们在小说中发现的现象。瓦多城在这部作品中扮演着象征性的角色,因此它的破坏和毁灭与消费社会和消费人的行为有着密切的联系。我们的分析基于Gilles Lipovetsky、Zygmunt Bauman、Erich Fromm和Marc Augé的人类学假设,以及Javier del Prado Biezma关于如何阅读小说的建议,以描述所有这些问题的本质,并揭露小说中隐藏的对消费人的批评。
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Un incendio invisible de Sara Mesa como una crítica implícita al «Homo consumericus»
The paper is an attempt at shedding light on the issues related to the dystopian vision of postmodern society metonymically represented by Vado, an imaginary city, in the novel Un incendio invisible written by Sara Mesa. This abandoned urban space causes us to reflect on crucial topics in postmodern society, such as incorporation into unknown place, redefinition of the concept of parenthood, liquid and perverse love, social inequalities, abandoned elders, consumption, role of shopping malls and their significance, human alienation, all phenomena that we find in the novel. The city of Vado plays symbolic role in that piece, hence its devastation and ruin show a close connection with the consumer society and the actions of Homo consumericus. We base our analysis on the philosophical and sociological postulates of Gilles Lipovetsky, Zygmunt Bauman, Erich Fromm and anthropological one of Marc Augé, as well as on the proposal of how to read a novel by Javier del Prado Biezma in order to describe the nature of all these mentioned problems and expose the criticism of Homo consumericus concealed in the novel.
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来源期刊
Studia Romanica Posnaniensia
Studia Romanica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
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