广告奇点:Siri Hustvedt的《灼热的世界》中的多重性、共有选择和杂录

IF 0.2 3区 文学 0 LITERATURE Contemporary Womens Writing Pub Date : 2021-04-28 DOI:10.1093/CWW/VPAB009
I. Ha
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引用次数: 1

摘要

本文着重探讨了赫斯特维特的《灼热的世界》与卡文迪许十七世纪小说的互文关系。超越单一文本阅读,本文认为,Hustvedt对女性主体性形成的批判性干预——副文本和中介——受到了早期现代手稿文化和ekphrasis的影响。由于共性为编译器提供了假设复数声音的机会,主人公Burden创作的普通书籍在文本和视觉层面上呈现了女性主体性的微妙展现。值得注意的是,Burden的自我塑造和随之而来的自我消解是由根深蒂固的愤怒引发的。Hustvedt,即使面对主人公的悲剧结局,也在庆祝一个女人在获得奇点的英雄之旅中所表现出的多样性。
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Ad Singularitatem: Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World
This essay focuses on the intertextual engagement of Siri Hustvedt’s The Blazing World with Margaret Cavendish’s seventeenth-century fiction. Going beyond a single-text reading, the essay argues that Hustvedt’s critical interventions in the making of a woman’s subjectivity—paratextual and intermedial—are informed by early modern manuscript culture and ekphrasis. As commonplacing affords opportunities for a compiler to assume plural voices, the commonplace books created by Burden, the protagonist, present a nuanced unfolding of a woman’s subjectivity on textual and visual levels. Notably, Burden’s self-fashioning and ensuing self-dissolution are prompted by deep-seated anger. Hustvedt, even in the face of her protagonist’s tragic end, celebrates the multiplicity that attends a woman’s heroic journey in attaining singularity.
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