Bakhchisarai博物馆保护区收藏的克里米亚鞑靼人乐器

Sevilya S. Velieva
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引用次数: 0

摘要

本文详细介绍了克里米亚鞑靼人的乐器,这些乐器收藏在巴奇萨赖博物馆保护区,对研究一般音乐文化很有意思。乐器收藏的形成历史与巴奇萨赖突厥鞑靼文化博物馆的创建有关。在20世纪二三十年代,该机构的工作人员收集了大量文物,包括乐器。在专门研究克里米亚鞑靼人音乐的科学著作中,研究人员主要关注歌曲、旋律,并部分提及传统乐器。在这项工作中,假设研究乐器的获取、编目、分类问题,以及确定这些物品的特征。这项研究将有助于进一步用于创建博览会、远足故事,也可能用于重现民间乐器和演奏它们。
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Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve
The article gives a detailed descripton of the musical instruments of the Crimean Tatars, which are presented in the collection of the Bakhchisarai Museum-Reserve and are interesting for studying musical culture in general. The history of formation of the collection of musical instruments is connected with the creation of the Museum of Turkic-Tatar Culture in Bakhchisarai. In the 1920s and 30s, the staff of the institution collected a large number of antiquities, including musical instruments. In scientific works devoted to the music of the Crimean Tatar people, researchers mainly paid attention to the songs, melodies and partially mentioned traditional instruments. In this work, it is assumed to study the issues of acquisition, cataloging, classification of musical instruments, as well as determining the characteristic features of these items. The research will be relevant for further use in creating expositions, excursion stories, possibly also in recreating folk instruments and playing them.
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Tatar poet Sagit Suncheley and Crimea in the early 1920s Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three) Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve Republican Crimean Tatar Museum of Art: the expe­rience of creation (from the first person) Rehabilitation of the Crimean Khanate by Historians in a five-volumes book about the Crimean Tatars
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