SoloSIRENs Collective的Cessair:女权主义表演人种学

IF 0.3 3区 艺术学 0 THEATER NEW THEATRE QUARTERLY Pub Date : 2023-05-01 DOI:10.1017/S0266464X23000088
C. Grile
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引用次数: 0

摘要

SoloSIRENs Collective的作品《Cessair》将于2021年夏天在都柏林南部上演,这是这家新兴公司的第二部作品。Collective是一个由全女性合奏团组成的社区戏剧团体,自2019年以来一直在一起创作。在这部作品中,它以爱尔兰塞斯尔的神话为出发点,思考女性的经历,并邀请来自世界各地的女性分享她们的故事和生活经历。通过对设计过程的密切观察,对最终作品的分析,以及与集体成员的对话,本文认为该作品应被视为女权主义表演民族志的一个例子。
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SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography
The SoloSIRENs Collective’s production Cessair, staged in South Dublin in the summer of 2021, represents the second production of this burgeoning company. The Collective is a community-based theatre group comprised of an all-female ensemble that has been creating together since 2019. For this production, it used the Irish myth of Cessair as a starting point to consider the female experience, and invited women from across the world to share their stories and lived experiences. Drawing on close observation of the devising process, analysis of the final production, and conversations with members of the Collective, this article argues that the production should be considered as an example of feminist performed ethnography.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
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