电影中的语法案例:《精神桥》,以查尔斯·J·菲尔莫为视角

Nuratul Muntahana, Abdul Muntaqim Al Anshory
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引用次数: 0

摘要

本研究旨在运用查尔斯·菲尔莫尔的格语法理论来识别电影《凯娜:精神之桥》中的情态和命题。这种类型的研究是描述性的定性研究。本研究的对象是亨特·施密特执导的电影《凯娜:精神之桥》。所使用的数据收集技术是倾听和记笔记的方法。本研究的数据分析经历了三个阶段:数据还原、数据展示和结论得出。所使用的数据验证技术是为了提高持久性和三角测量。基于菲尔莫尔格语法理论对电影《凯娜:精神之桥》的研究结果包括四种形式(时态、否定、模式和体)和十个命题(主体、经验、地点、工具、时间、目的、目的、伴奏、来源和恩惠)。
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Tata Bahasa Kasus dalam film Kena: Bridge of Spirit Berdasarkan Perspektif Charles J. Fillmore
This study aims to identify the modality and proposition in the movie "Kena: Bridge of Spirit" using Charles J. Fillmore's case grammar theory. This type of research is descriptive qualitative research. The object of this research is the movie "Kena: Bridge of Spirit" directed by Hunter Schmidt. The data collection techniques used are listening and note-taking methods. Data analysis in this study went through three stages: data reduction, data presentation, and conclusion drawing. The data validation techniques used are to increase persistence and triangulation. The results of the research on the movie "Kena: Bridge of Spirit" based on Fillmore's case grammar theory consists of four modalities (tense, negation, mode, and aspect) and ten propositions (agent, experience, place, instrument, time, objective, purpose, accompaniment, source, and benefactive).
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