音乐即兴创作的经验:自我个性化与参与性意义建构

Margaret A. Lanier
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引用次数: 0

摘要

即兴创作是全球音乐实践的重要组成部分。然而,在K-12和大学音乐教育项目中,音乐即兴创作经常被忽视,一些音乐教育工作者认为即兴创作不能被教授。相反,即兴创作必须得到促进、扶持和培养。在这篇文献综述中,我考察了音乐家即兴创作的经历,以提供有关培养学生即兴创作所需环境特征的信息。我借鉴了音乐感知和认知研究的最新进展,对即兴创作中的个人和群体过程提出了看法,并建议教师在音乐教育环境中可以采取措施促进即兴创作。
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Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making
Improvisation is an important element of global musical practices. However, musical improvisation is often neglected in K-12 and collegiate music education programs, with some music educators suggesting that improvisation cannot be taught. Rather, improvisation must be facilitated, enabled, and fostered. In this review of literature, I examined musicians’ experiences when improvising to provide information about the characteristics of the environment needed to foster student improvisation. I drew upon recent developments in music perception and cognition studies to frame a view of individual and group processes in improvisation, and I suggest steps teachers can take to facilitate improvisation in music education settings.
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