在跨地区的地中海构建运动中的社区:马德琳·勒罗耶的《Méditerranée的387号展示》和默扎克·阿卢阿切的《正常!

IF 0.4 4区 社会学 Q3 CULTURAL STUDIES French Cultural Studies Pub Date : 2022-04-18 DOI:10.1177/09571558221078449
B. Guenther
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引用次数: 0

摘要

Leroyer的纪录片#387 disparu en Méditerranée(2019)追踪了重建利比亚海岸失踪移民身份的尝试,而Allouache的元文本《正常!(2011)椭圆地捕捉到了阿尔杰阿拉伯之春的影响。通过两种膜的透镜,采用跨地区的方法来分析运动中的社区的相关性变得显而易见:勒罗耶的纪录片在地中海周围的地理坐标和不同语言的个人合作方面都发生了变化,而阿洛瓦切的电影则探讨了与阿尔及利亚、撒哈拉以南非洲和法国陷入了阿拉伯之春的束缚。Allouache和Leroyer的电影在蒙彼利埃的年度Cinémed放映,显然为地中海电影的跨地区网络做出了贡献。这两部电影在不同的地点追踪移民,将其并置,揭示了社区团结和抵抗的潜力,而不会掩盖跨地区主义的阴影。根据最近对跨地区主义的地缘政治评估(例如,James W.Scott和Hans Joachim Bürkner),本文调查了Leroyer的纪录片《#387 disparu en Méditerranée》和Allouache的纪录片《Normal!》中如何想象跨地区团结的潜力和局限性!。
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Framing community in motion in the transregional Mediterranean: Madeleine Leroyer’s #387 disparu en Méditerranée and Merzak Allouache’s Normal!
Leroyer’s documentary, #387 disparu en Méditerranée (2019), tracks the attempt to reconstruct the identity of migrants lost off the coast of Libya whereas Allouache’s metatextual Normal! (2011) captures elliptically the effects of the Arab Spring in Alger. Through the lens of both films, the relevance of adopting a transregional approach in order to analyze communities in motion becomes apparent: Leroyer’s documentary shifts both in its geographical coordinates around the Mediterranean and in its inclusion of individuals working together across different languages whereas Allouache’s film explores the “connected differences” (Audre Lorde) of individuals associated with Algeria, sub-Saharan Africa and France and caught in the thrall of the Arab spring. Allouache’s and Leroyer’s films, screened at Montpellier’s annual Cinémed, clearly do contribute to the transregional network of Mediterranean cinema. The juxtaposition of the two films, which track migration at different points along the spectrum, brings to light the potential for community solidarity and resistance beyond a national scale without glossing over the shadow sides of transregionalism. Drawing on recent geo-political assessments of transregionalism (for instance, James W. Scott and Hans-Joachim Bürkner), this article investigates how the potential and the limits of transregional solidarity are imagined in Leroyer’s documentary, #387 disparu en Méditerranée, and Allouache’s docudrama, Normal!.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
20
期刊介绍: French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.
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