作为乌克兰锻造艺术实践的伪造人物公园

S. Rohotchenko
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摘要

顿涅茨克的伪造人物公园是一个独特的艺术、社会文化和政治现象。无论在乌克兰还是国外,都没有其他这样的当代锻造艺术展览空间。这个富有创意的博物馆空间是由乌克兰的铁匠社区建立的;它的规模和展出的作品数量可能是乌克兰迄今为止最大的。在2001-2003年期间,锻造人物公园是乌克兰所有地区和国外铁匠年度聚会的场所。这个杰出的平台包括锻造工作坊、专业会议,以及专注于创意艺术领域专业实验的信息会议。随着一年一度的伊万诺-弗兰基夫斯克铁匠节,顿涅茨克的锻造人物公园在上述时期成为了一个无与伦比的创意实验和实践锻造工艺的场所,表现力创新和风格多样性。因此,研究的相关性是基于需要研究的公园项目的概念负荷;还应概述公园在国家社会文化进步中的标志性作用。
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Park of Forged Figures as an Art Practice of Ukrainian Blacksmithing
The Park of Forged Figures in Donetsk is a unique artistic, sociocultural, and political phenomenon. There is no other suchexhibition space for contemporary blacksmithing art neither in Ukraine nor abroad. This creative and subsequently museum space was setup by the blacksmithing community of Ukraine; its size and number of works on display makes it probably the largest in Ukraine up to date. During the period of 2001–2013, the Park of Forged Figures was a place for the annual gatherings for the blacksmiths from all regionsof Ukraine and from abroad. This outstanding platform included blacksmithing workshops, specialized conferences, as well as informalmeetings focusing on professional experiments in this field of creative art. Along with the annual Blacksmiths Festival in Ivano-Frankivsk,the Park of Forged Figures in Donetsk during the mentioned period became an unparalleled site for creative experiments and practicingblacksmithing craft, for expressive innovations and stylistic diversity. Thus, the relevance of the research is based on the conceptual load ofthe Park’s projects that needs to be studied; also the landmark role of the Park in the social-cultural advance of the country should be outlined.
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