{"title":"维苏威火山十字架之谜:宗教改革后天主教的信仰、轻信与可信度","authors":"S. Tutino","doi":"10.1353/jhi.2022.0010","DOIUrl":null,"url":null,"abstract":"Abstract:In the summer of 1660, Mount Vesuvius began to erupt. After about a month, the volcano quieted down, but a strange and upsetting phenomenon started to manifest: all over the city of Naples and in the neighboring communities, a series of red and black crosses appeared on people's linens, clothes, and bodies. This essay focuses on this mysterious appearance and on the debate it provoked, using it as a case study to investigate the relationship between credulity, credibility, and belief in post-Reformation Catholicism.","PeriodicalId":47274,"journal":{"name":"JOURNAL OF THE HISTORY OF IDEAS","volume":"83 1","pages":"207 - 227"},"PeriodicalIF":0.6000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Mystery of Mount Vesuvius's Crosses: Belief, Credulity, and Credibility in Post-Reformation Catholicism\",\"authors\":\"S. Tutino\",\"doi\":\"10.1353/jhi.2022.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In the summer of 1660, Mount Vesuvius began to erupt. After about a month, the volcano quieted down, but a strange and upsetting phenomenon started to manifest: all over the city of Naples and in the neighboring communities, a series of red and black crosses appeared on people's linens, clothes, and bodies. This essay focuses on this mysterious appearance and on the debate it provoked, using it as a case study to investigate the relationship between credulity, credibility, and belief in post-Reformation Catholicism.\",\"PeriodicalId\":47274,\"journal\":{\"name\":\"JOURNAL OF THE HISTORY OF IDEAS\",\"volume\":\"83 1\",\"pages\":\"207 - 227\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF THE HISTORY OF IDEAS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jhi.2022.0010\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF THE HISTORY OF IDEAS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jhi.2022.0010","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
The Mystery of Mount Vesuvius's Crosses: Belief, Credulity, and Credibility in Post-Reformation Catholicism
Abstract:In the summer of 1660, Mount Vesuvius began to erupt. After about a month, the volcano quieted down, but a strange and upsetting phenomenon started to manifest: all over the city of Naples and in the neighboring communities, a series of red and black crosses appeared on people's linens, clothes, and bodies. This essay focuses on this mysterious appearance and on the debate it provoked, using it as a case study to investigate the relationship between credulity, credibility, and belief in post-Reformation Catholicism.
期刊介绍：
Since its inception in 1940, the Journal of the History of Ideas has served as a medium for the publication of research in intellectual history that is of common interest to scholars and students in a wide range of fields. It is committed to encouraging diversity in regional coverage, chronological range, and methodological approaches. JHI defines intellectual history expansively and ecumenically, including the histories of philosophy, of literature and the arts, of the natural and social sciences, of religion, and of political thought. It also encourages scholarship at the intersections of cultural and intellectual history — for example, the history of the book and of visual culture.
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