Cláudia Pato de Carvalho, H. Sol, Anatália Saraiva, Sandra Rosa, Débora Fino
{"title":"当代的地方遗产:艺术创作与场所的非物质性","authors":"Cláudia Pato de Carvalho, H. Sol, Anatália Saraiva, Sandra Rosa, Débora Fino","doi":"10.1080/2159032X.2022.2126227","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article shares collaborative scientific work done by researchers from the Centre for Social Studies (University of Coimbra, Portugal) and from the Technology, Restoration and Arts Enhancement Center (Polytechnical Institute of Tomar, Portugal) within the REDE ARTÉRIA in cooperation with MOVTOUR. REDE ARTÉRIA is an action research project that aims to create cultural presentations and performances to tour the Centro Region of Portugal. It aspires to encourage a greater professionalization of agents, while aiming to enrich and enhance the cultural offering. Simultaneously, it intends to stimulate a community practice of participatory cultural mapping influencing creation processes and cultural policies in this region. The analysis is made in the specific context of the artistic creation VAGAR, conceived by the Portuguese choreographer Marina Nabais and co-produced by the Municipality of Ourém (Portugal). The analysis results from participatory workshops with local agents, field notes from rehearsal observation, interviews with artists, local participants, local government, and from the final report produced by the dance association responsible for the performance. This work critically reflects on how processes of community participation and of tangible and intangible resource mapping – by providing dialogue opportunities between artists, local agents, municipalities and the local cultural fabric – can develop innovative projects of artistic intervention that link heritage to local, social and cultural civic dynamics. It thus epitomizes the importance of the social dimension of cultural activity.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Local Heritage in Contemporary Times: Artistic Creation and the Intangibilities of Place\",\"authors\":\"Cláudia Pato de Carvalho, H. Sol, Anatália Saraiva, Sandra Rosa, Débora Fino\",\"doi\":\"10.1080/2159032X.2022.2126227\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article shares collaborative scientific work done by researchers from the Centre for Social Studies (University of Coimbra, Portugal) and from the Technology, Restoration and Arts Enhancement Center (Polytechnical Institute of Tomar, Portugal) within the REDE ARTÉRIA in cooperation with MOVTOUR. REDE ARTÉRIA is an action research project that aims to create cultural presentations and performances to tour the Centro Region of Portugal. It aspires to encourage a greater professionalization of agents, while aiming to enrich and enhance the cultural offering. Simultaneously, it intends to stimulate a community practice of participatory cultural mapping influencing creation processes and cultural policies in this region. The analysis is made in the specific context of the artistic creation VAGAR, conceived by the Portuguese choreographer Marina Nabais and co-produced by the Municipality of Ourém (Portugal). The analysis results from participatory workshops with local agents, field notes from rehearsal observation, interviews with artists, local participants, local government, and from the final report produced by the dance association responsible for the performance. This work critically reflects on how processes of community participation and of tangible and intangible resource mapping – by providing dialogue opportunities between artists, local agents, municipalities and the local cultural fabric – can develop innovative projects of artistic intervention that link heritage to local, social and cultural civic dynamics. It thus epitomizes the importance of the social dimension of cultural activity.\",\"PeriodicalId\":44088,\"journal\":{\"name\":\"Heritage and Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-10-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Heritage and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/2159032X.2022.2126227\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Heritage and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/2159032X.2022.2126227","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Local Heritage in Contemporary Times: Artistic Creation and the Intangibilities of Place
ABSTRACT This article shares collaborative scientific work done by researchers from the Centre for Social Studies (University of Coimbra, Portugal) and from the Technology, Restoration and Arts Enhancement Center (Polytechnical Institute of Tomar, Portugal) within the REDE ARTÉRIA in cooperation with MOVTOUR. REDE ARTÉRIA is an action research project that aims to create cultural presentations and performances to tour the Centro Region of Portugal. It aspires to encourage a greater professionalization of agents, while aiming to enrich and enhance the cultural offering. Simultaneously, it intends to stimulate a community practice of participatory cultural mapping influencing creation processes and cultural policies in this region. The analysis is made in the specific context of the artistic creation VAGAR, conceived by the Portuguese choreographer Marina Nabais and co-produced by the Municipality of Ourém (Portugal). The analysis results from participatory workshops with local agents, field notes from rehearsal observation, interviews with artists, local participants, local government, and from the final report produced by the dance association responsible for the performance. This work critically reflects on how processes of community participation and of tangible and intangible resource mapping – by providing dialogue opportunities between artists, local agents, municipalities and the local cultural fabric – can develop innovative projects of artistic intervention that link heritage to local, social and cultural civic dynamics. It thus epitomizes the importance of the social dimension of cultural activity.
期刊介绍:
Heritage & Society is a global, peer-reviewed journal that provides a forum for scholarly, professional, and community reflection on the cultural, political, and economic impacts of heritage on contemporary society. We seek to examine the current social roles of collective memory, historic preservation, cultural resource management, public interpretation, cultural preservation and revitalization, sites of conscience, diasporic heritage, education, legal/legislative developments, cultural heritage ethics, and central heritage concepts such as authenticity, significance, and value. The journal provides an engaging forum about tangible and intangible heritage for those who work with international and governmental organizations, academic institutions, private heritage consulting and CRM firms, and local, associated, and indigenous communities. With a special emphasis on social science approaches and an international perspective, the journal will facilitate lively, critical discussion and dissemination of practical data among heritage professionals, planners, policymakers, and community leaders.