{"title":"16世纪手写歌曲集的人为法典","authors":"Ana María Rodado Ruiz","doi":"10.7203/mclm.7.16692","DOIUrl":null,"url":null,"abstract":"A complete codicological analysis of manuscript 2763 of the University Library of Salamanca. This is volume SA10, in the acronym system proposed by Brian Dutton (1990-91), a codex that groups two independent cancionero manuscripts of medieval poetry, dating from the early sixteenth century. This exhaustive study of the codex materiality is completed by counting and analysing its selected works and authors, as well as their layout and sequencing. The results allow us to formulate an hypothesis about the genesis of the volume and its complex process of copying and transmission.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un códice facticio de cancioneros manuscritos del siglo XVI\",\"authors\":\"Ana María Rodado Ruiz\",\"doi\":\"10.7203/mclm.7.16692\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A complete codicological analysis of manuscript 2763 of the University Library of Salamanca. This is volume SA10, in the acronym system proposed by Brian Dutton (1990-91), a codex that groups two independent cancionero manuscripts of medieval poetry, dating from the early sixteenth century. This exhaustive study of the codex materiality is completed by counting and analysing its selected works and authors, as well as their layout and sequencing. The results allow us to formulate an hypothesis about the genesis of the volume and its complex process of copying and transmission.\",\"PeriodicalId\":40390,\"journal\":{\"name\":\"Magnificat Cultura i Literatura Medievals\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Magnificat Cultura i Literatura Medievals\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7203/mclm.7.16692\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Magnificat Cultura i Literatura Medievals","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7203/mclm.7.16692","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Un códice facticio de cancioneros manuscritos del siglo XVI
A complete codicological analysis of manuscript 2763 of the University Library of Salamanca. This is volume SA10, in the acronym system proposed by Brian Dutton (1990-91), a codex that groups two independent cancionero manuscripts of medieval poetry, dating from the early sixteenth century. This exhaustive study of the codex materiality is completed by counting and analysing its selected works and authors, as well as their layout and sequencing. The results allow us to formulate an hypothesis about the genesis of the volume and its complex process of copying and transmission.
期刊介绍:
Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.